I use the Oracle hard mat on my Technics SL1200g and find that I get a wealth of information compared to the soft rubber mat that came with the turntable.
Vinyl turntable mat?
Anybody tried a vinyl turntable mat?
Some turntable manufacturer (Project?) had a turntable plater coated with (melted) vinyl. And - it makes sense?
If you want to get rid of the resonanses in the vinyl - pass it on to some other piece of vinyl.
Then I read about the reso-mat (?) - wich was resting the LP on 10-15 small cones so that it was suspended from the platter(mat). I have to confess - I bought the argument; resonants will occur in the vinyl - so let them dissapear on the other side of the record instead of trying to minimase the impact it has when forced back into the cartridge.
Made sense to me.
So - I did a little experiment. Sacrificed a (crap) LP and glued small bits of standard furniture floor-savers (?) on to it.
(It was self adhesive - so if I ever get the urge to listen to Amon Düül:'Almost Alive' - it can be retrieved :-) )
The result?
Clear music. Extreme articulation. Immense detailed reproduction. Every hit of the triangle is articulated. Every instrument has it place in the picture. Nothing souns muddled. Did the ultimate test (Mothers of Invention: Weasel's Ripped My Flesh - Title track; identified 5 more instrumental parts :-) )
My poor, old RCD-971 is blushing in the corner. Making excuses. (and it's brilliant!)
OK - so I'm using a pretty detail-oriented cartridge; G-1042.
Wich nobody else seems to be using. (If you want to hear every detail on your vinyl - you really should make it a contender..)
But - I digress. The vinyl mat. The reso-mat.
Air as the best medium when it comes to damping internal resonanse in vinyl.
Any thaughts?
Some turntable manufacturer (Project?) had a turntable plater coated with (melted) vinyl. And - it makes sense?
If you want to get rid of the resonanses in the vinyl - pass it on to some other piece of vinyl.
Then I read about the reso-mat (?) - wich was resting the LP on 10-15 small cones so that it was suspended from the platter(mat). I have to confess - I bought the argument; resonants will occur in the vinyl - so let them dissapear on the other side of the record instead of trying to minimase the impact it has when forced back into the cartridge.
Made sense to me.
So - I did a little experiment. Sacrificed a (crap) LP and glued small bits of standard furniture floor-savers (?) on to it.
(It was self adhesive - so if I ever get the urge to listen to Amon Düül:'Almost Alive' - it can be retrieved :-) )
The result?
Clear music. Extreme articulation. Immense detailed reproduction. Every hit of the triangle is articulated. Every instrument has it place in the picture. Nothing souns muddled. Did the ultimate test (Mothers of Invention: Weasel's Ripped My Flesh - Title track; identified 5 more instrumental parts :-) )
My poor, old RCD-971 is blushing in the corner. Making excuses. (and it's brilliant!)
OK - so I'm using a pretty detail-oriented cartridge; G-1042.
Wich nobody else seems to be using. (If you want to hear every detail on your vinyl - you really should make it a contender..)
But - I digress. The vinyl mat. The reso-mat.
Air as the best medium when it comes to damping internal resonanse in vinyl.
Any thaughts?
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- 6 posts total
- 6 posts total