When you compare that music he played in 68, with this music, which most of the audience expected, maybe you can comprehend where I'm coming from.
https://www.youtube.com/watch?v=MXSjJBKPyFg
Jazz for aficionados
When you compare that music he played in 68, with this music, which most of the audience expected, maybe you can comprehend where I'm coming from. https://www.youtube.com/watch?v=MXSjJBKPyFg |
O-10, I get it; I know where you’re coming from. However, Jazz fans in 1968 that were expecting Miles to be playing music that sounded like that “Love For Sale” (great!) had not been paying attention to Miles’ music too closely. That “Love FS” was 1958. Ten years before. An eternity in Miles’ evolution as an artist. The music he was playing in 1964 live in Tokyo is precisely the connecting missing link in this argument. What he was doing in 1964 was as much a departure from what he was doing in 1958, as 1968 was different from 1964. The remarkable thing is that it is all a clear and audible evolution heard in the corresponding styles. Anyone following Miles’s career since his days with Bird would not have been terribly surprised that he was doing something so different; especially with the knowledge that the great Quintet of the 60s was a thing of the past. |
Cannonball "Worksong" Tokyo with all the frills "What message"? it's just music to them. https://www.youtube.com/watch?v=q88M5gwgGPI Cannonball "Worksong" for us; Aficionados on the street beat who comprehend the depth of the message; it's a lot more than just music. https://www.youtube.com/watch?v=xCqRYneOdIM |