Are my ears just fooling me?


I have been in this hoppy for a couple of years. I have been through alot of equipment, trying to find the sound for me (dont we all!) I have really enjoyed it but something is starting to bother me. I for some reason feel that every system I have ever heard cannot reproduce a saxophone with the body and emotion like when I hear it live. I am young but I have listened to and owned equipment all over the board. Most hifi gear I find is just really thin sounding to my ears, even with owning many tube amps. Is this normal? Does my ear just want to hear distortion with playback that really isnt there on the recording? I have never heard SET amps before and think they maybe down my alley...but is it just some more "ear candy"??
macd
My Quicksilver M60s, NAD 1600, and old Fried A/3s, though not fancy, flesh out the alto and tenor nicely and sound real. The trick, IMO, is driver integration/compatibility and tubes that err on the neutral/warm side. If these things are out of whack, saxes will not sound "whole."
Well I have heard some VERY expensive systems, and they have had better body. For instance the Wilson alexandria and lamm Triode set up was very nice. But I am a college student and cannot afford such things. As far as the merlins go, I have already owned the VSMs. They are a fine speaker, but personally I had to sell them because I felt I could not afford the electronics to make them sound full and big such as the joules.

I feel that I am not happy with speaker that do "tricks" such as the crazy imaging and through the roof detail. I want a speaker that can allow me to feel the music and forget about all this hifi stuff.

I have tried different rooms with tons of equipment, but have always stuck to 2 way designs. Do you think I just need a bigger speaker?

Resently heard some wilson sophia 3s with an audio research Vs115 amp that did the trick. But thats WAY out of my budget. Is it impossible to get great body for moderate prices?

Sources have been VPI tables, with audio research and conrad johnson Phono stages, Otari Reel to reel, bel canto DAC 3, and music hall Dac

What are some speakers that are strong in the "body" department?
Elizabeth-- what do you think of Klipsch Cornwalls. Do they fall in that category? I have a opportunity to buy some locally for 700.

Like I said I am coming from Merlin VSM's and I am worried about getting a speaker that is going to sound like the trash can compared to them!
List of gear that I have owned in my listening room. (I have recently moved, and the sound in the new room is a little better, but both rooms I feel are fairly decent that thats not the problem.)

Yet again I think its my taste, in the sense I want body to be the strong point in the system. I have gotten great sound using most of these components. The MV-52 is probably one of my favorites so far.

Old room: 15x13 feet New room: 13x20 feet

Plinius 9100
Plinius SA100
Conrad Johnson CAV-50
Conrad Johnson MV-52
Classe CAP 151
Conrad Johnson PV-5
audio research ph3
Bel canto dac 3
music hall dac
VPI scout with benz ace
otari mx5050

Totem model ones
totem forests
merlin vsm-m with bam

So does anyone think that its just smaller speakers are not to my liking? Would a bigger speaker add the body that I am after?

Thanks
Try the Sheffield Labs drum track recording - close your eyes and listen. If that sounds like somebody playing on a drum set with you in the room then stop worrying.

The biggest difference between live music and live instruments is dynamics and high SPL. If you don't have big enough speakers and enough power then NOTHING you do will ever come close to sounding like a real instrument. It will simply sound either thin and lacking body or, alternatively, overly distorted when you try to crank it. Loud, dynamic and above all CLEAN sound is what real instruments do so very very well.