Are my ears just fooling me?


I have been in this hoppy for a couple of years. I have been through alot of equipment, trying to find the sound for me (dont we all!) I have really enjoyed it but something is starting to bother me. I for some reason feel that every system I have ever heard cannot reproduce a saxophone with the body and emotion like when I hear it live. I am young but I have listened to and owned equipment all over the board. Most hifi gear I find is just really thin sounding to my ears, even with owning many tube amps. Is this normal? Does my ear just want to hear distortion with playback that really isnt there on the recording? I have never heard SET amps before and think they maybe down my alley...but is it just some more "ear candy"??
macd
Stringreen asks the right questions and Atmasphere hits the nail right on the head, as usual. Until you find a recording that you KNOW captures that live sax sound you're heard and crave, you're just chasing your tail.

There are a couple suggestions in this thread, such as the ones from Shadorne and Rrog, but you need to find the recording that works for you as a test before you start auditioning equipment. If your recording isn't up to snuff, no piece of gear will magically transform it.

My pick would be Body and Soul by Joe Jackson. Well recorded with great sax work and designed to sound live with that Blue Note feel.

David
Never pretended to be worldly with my limited brand experience but I've only known a few speakers that have been satisfying with sax, none of which would I recommend to a student. Too big, too demanding. However, I did notice a pair of Kappa8's for auction (Boston area) if you have the room and amp for them. Always been particularly critical since I used to play sax, badly. Sometimes, to be polite, I would audition speakers for several minutes when I wanted to walk way after the first few seconds.
I have used vintage Klipsch speakers when they were the only speakers they made. I agree completely that you will get a very good approximation of a Sax or just about any other horn with them. The problem is that for music that does not feature horns they can be shouty are very position dependent and with the wrong electronics can be bass shy and shrill. In spite of that if you pair them up with good tube preferably vintage type tube amps or Macs either SS or tube they can be excellent. The biggest issue as far as I am concerned is achieving tonal balance by priving the stiffly suspended large woofers with enough power to match the highly sensitive monster Alnico motored Squwakers, Some of the crossover mods you can buy apparently address this issue. That said put on some Grover Washington and you will hear the Magic.
I own my original 1976 Heresys and later bought 1978 LaScalas in 2004. I use a small SS Mc the MC2505 and the synergy is great.