Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
https://youtu.be/GmrYDfenj7M?t=3
Great long clip of Duke Jordan with other greats . Just great straight ahead jazz !
Got my copy coming from Amazon , along with the Thad Jones "Detroit
New York  Junction ", which was new to me .
AND, by chance  a new LP I have wanted for a long time , Horace Silvers "Cape Verdean Blues "

Thank you Jesus !
mary_jo, we seem to be going round in circles to a degree. Too much is being made of the distinction between being “inside” and “outside” the world of the creators. We are all creators in one fashion or another. Obviously, not all are creators in the same endeavor, but creators nonetheless and many of the same principles apply to all. Yes, you did state that your comment had to do with film creators, but it was in response to the topic of music creators. Again, many of the same same basic principles apply; Schubert’s excellent point not withstanding.

I have known “non-creators” who were as musically astute and insightful of the process of creation as many creators themselves. That is not where the distinction should me made. I think the problem when trying to discuss these things goes to something I tried to describe early in the thread. Let’s first back up for a moment to what the main point of all this is (was); the backdrop. This discussion began around the issue of whether or not there is a “best” in Jazz. I will use some of your terminology:

There is a very normal tendency on the part of those “outside” the world of the (music) “creators” to over romanticize the process of “creating”; just as there is a tendency to over romanticize our involvement as consumers of the creations (aficionados). The rose colored glasses effect. All very common and normal. We build affinities and preferences for certain artists and styles of music, in part, for reasons that have little to do with the ultimate value of the music itself. This leads to all sorts of dichotomies and contradictions when discussing the topic. The contradictions may fit our own personal “emotional agenda”, but they are contradictions nonetheless. The perfect example of this contradiction is to claim that we don’t compare artists. Yet, the term “best” is used freely. It sounds good to claim no comparison, romantic; and, sure, we can suspend direct comparison while actually listening to the music, but to have a “best” or even a “favorite” means, almost by definition, that we are comparing.

Still, some want to keep the feelings about the creations “above the fray” of any kind of judgment as if there were something wrong with judging and establishing personal boundaries for what we like or don’t like. Nothing wrong with that as long as we can honestly say that we keep an open mind to the reasons why we may be reacting the way we are; some of which are simply our own biases and nothing more and no reflection of the ultimate value of the creation.

Anyway, thanks for your thoughts. Enough philosophizing about all this.

Happy New Year!


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Today's Listen:

Lee Morgan  --  THE GIGOLO
with / Wayne Shorter, Harold Mabern Jr, Bob Cranshaw, Billy Higgins

Notes: "This set is a solid addition to the body of Lee Morgan's work--the product of a craftsman who goes beyond craft to discovery."  Nat Hentoff
The rest is 'nuts and bolts' stuff.

https://www.youtube.com/watch?v=zg9uf84hzfg   

https://www.youtube.com/watch?v=GyoRLXBYi00  

https://www.youtube.com/watch?v=ejxGcL0M46U  

Cheers