TT, 12" Tonearm. Who tried and ended up preferring 12" arm?


TT, 12" Tonearm. Who tried and ended up preferring 12" arm?

I don't mean to start a good, better, best, 'here we go again' tech talk about 9/12, that has been covered, and I have been researching.

I am just wondering: Who tried and ended up preferring a 12" arm?

Aside from all other upgrades you probably did at the same time, which could have improved a 9" arm, what about the 12" arm made you stick with it?

I suppose, 'I tried 12" and went back to 9"' would be good to know also

thanks, Elliott

elliottbnewcombjr
Dust cover on when not playing, off when playing are the rules at this casa.

To do otherwise is counterproductive to the goal of excellent sound.
Chak, I’m surprised the 3P is so light. My 10.5 inch 2A in red cedar is at least 12g. I never use any FR headshell in the 64S. Much of the mass of the 64S is due to the OEM headshell. I tend to use a CF headshell that weighs about 9 g. But your point is well taken if the 3P is as light as you say. And both of us are violating the golden rule when we pair these tonearms with high compliance cartridges.
As I have said before Lewm, sometimes stuff works even when on paper it should not.
But the last time I made a statement along similar lines over what I tried and it sort of worked, Chakster jumped all over it.
Maybe he has mellowed and realized that sometimes it just works out.
I'll definitely be testing my existing cartridges in the 7082 arm with the Shure V15 torture LP with resonance test bands, as well as the Victor ZS1 that is already in it.
MICROSCOPE.

Final, repeat, FINAL part of this step up is to get a Microscope to really see Stylus.

What power is enough? Too much is too shallow focus depth I believe.

I see units that clamp on cell phone cameras, ...?

USB to computer?