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Best Sounding Bruckner Recordings

There is a Mahler for Audiophiles thread here, but I am not sure if there is one for Bruckner.  IMO these are the two Composers that benefit the most from high quality sound.  Both Composers relied extensively upon spatial effects.  Bruckner, with his Organist background, was conscious of reverberation effects, and tended to treat the entire Orchestra as one vast Organ.  Mahler had many spatial effects built into his Symphonies.
  I listen to many historical recordings, but I find that these two composers suffer the most when sonically compromised.  I have no problem enjoying a Toscanini Beethoven Symphony, as the majesty of the music and the playing overcome sonic limitations.  However, listening to the Horenstein Bruckner Seventh from 1927 is a real trial.  Even the best restorations make it sound like it was recorded in a phone booth, and the towering beauty of the piece is missing.
  Now, with Bruckner, we have the problem of all of those multiple editions.  I am going to confess straight out that I have no expertise here .  And given that this is an audiophile site, I will concede readily that the best sounding Bruckner recordings may not necessarily be the ultimate in recorded performance.  However, I am looking for comments about great sounding Bruckner recordings that are also good performances 
mahler123
mahler123 OP
3,322 posts
 
Lefty 

I ordered the Karajan Blu Ray.  Best price I had seen and had an Amazon gift card to use up.  Thanks for the link.

Camille- the reviews on the VPO haven’t been very favorable.  And some of the recordings clearly don’t appeal.  Ozawa in the First?  Not interested 
twoleftears's avatar
twoleftears
5,318 posts
 
There's an extensive review of the Blu-ray issue in the most recent number of Absolute Sound, which doesn't seem to be available on-line.  It's very positive.
edgewear
543 posts
 
@mahler123, of course preferences in interpretation are always a personal call. I like 'all out' performances mostly when I attend live performances, when there is a different atmosphere and sense of occasion. For repeated home listening I usually prefer a certain restraint.

For me, restraint works with Bruckner and is good for Wagner as well. As much as I enjoy Solti's Ring, he can get a bit too much at times. Knappertsbusch' Parsifal (on Philips) and Furtwängler's Tristan (on HMV) are both models of restraint and two of the most overpowering recordings I've ever heard.

mahler123 OP
3,322 posts
 
Thanks Lefty, I might look for a current issue of TAS in a magazine store and read it.  I canceled my TAS subscription in disgust over their shameless shilling for MQA
mahler123 OP
3,322 posts
 
Edge 
 I am not enough of a Wagnerian to have an opinion.  I prefer my RW as bleeding chunks.  I prefer Solti in The Ring because he keeps me interested 
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