Vinyl cleaning and alcohol

@lewm 

I also advocate a distilled water rinse after cleaning with my own mixture of isopropanol, non-ionic detergent, and water. Otherwise, I do believe the detergent can leave a residue

What detergent do you use?

Detergent can leave a residue if it is in the solution on the record when it dries.  When using IPA and a rinse agent, TDS tests on filtered solution done after record cleaning indicate 0001-0005 ppm which is pretty much the same that the test indicates before cleaning records. With that protocol, rinsing is not needed. 

99% IPA mixed with distilled water has 0000-0001ppm TDS count.  If you filter out the dirt coming off the record during wash, the solution stays clean. I suggest a 0.35 micron filter.  However, if you choose a detergent with a high TDS count when mixed with distilled water and do not filter, then yes, rinsing is advisable.

When the solution on a record is clean after wash, then evaporative drying becomes an easy option.  With a rinse agent in the solution, the solution sheets off the record when removed from the cleaning machine. Records will dry in ~20 minutes without a fan.

TDS meters are inexpensive, around ~$15.  Everyone cleaning records should have one.  Alternatively you can measure electrical conductivity.  Several meters measure both.  I use this one:https://www.amazon.com/TDS-Meter-Digital-Water-Tester/dp/B07Z529M5L/ref=sr_1_3?keywords=7Pros+TDS&qid=1578552765&s=industrial&sr=1-3

@simna

What do you mean the negative effect of this "coating" is?

Nothing, because I never said anything about a "negative effect".  I thought it was helpful to tell people what the product is.  I prefer not to use it.
We're talking about L'Art du Son fluid.

If you put a fluid on a clean record that stays on the record as L'Art du Son is designed to do, that fluid when dried will change the coefficient of friction between the stylus and the groove - and that will change the sound. 

Some people may like the difference in what they hear with L'Art on their records..  I prefer not to change the sound that comes from a clean stylus in a clean groove.  As I said, YMMV.  .

Let me refer you to a discussion inside a thread on WBF about my own DIY system. It's with another audiophile with a similar system who uses the L'Art du Son fluid.  I was very interested that he was using it and wanted to learn more.  The discussion is quite resonable and was helpful to me in understanding his approach.  Here is a link to the middle of thread when we start on the topic and it goes on for a few messages:

https://www.whatsbestforum.com/threads/timas-diy-rcm.26013/page-3#post-581552

@jtimothya
OK, now I understand what you mean. Thank you for explaining. 

I took a budget approach, the drying rack to clean 11 lps at once is making a big difference,

https://www.amazon.com/gp/product/B07GSSQ1MN/ref=ppx_yo_dt_b_asin_title_o03_s00?ie=UTF8&psc=1

Now I can use my AT440ml microline stylus on old LP's that were too noisy because I failed to clean them ahead of time.

And, new Grado ME+ Mono cartridge on clean Mono LP's, (were generally acquired used), sound much better than playing with Stereo Cartridge in McIntosh Preamp's Mono Mode.

now buying some old mono jazz LP's new.