Which combination of components (Streamer, DAC, Preamp, Amp, etc.) are most future-proof?


Hi all,

I’m in the process of gently upgrading my older, mid-fi system. I’ve started with speakers (Salk WOW1’s, REL 328 sub). I recognize that the amplification, cables, room, and source all need investment.

I’m focusing first on source(s) and how to serve them up. While I have a decent CD collection, mostly I’ve been streaming my music from ripped MP3 files and Spotify. I no longer have a working CD player. I know that higher resolution sources (lossless files or high quality streaming) is important. Re-ripping my collection may become a project.

So, here’s my question — a lot of reading has shown me a dizzying range of ways to go. Music servers/streamers, DAC, preamp, amp are available in many combinations. I’d like quality but am not inclined to spend tens of thousands of dollars; I resist going the "separates" route for *every* piece. So which combinations make the most sense? A streamer/DAC? A preamp/DAC? An integrated amp/DAC? Something else?

In addition to resisting separates, I’d like to invest in good components which won’t quickly be outdated. So, for example, if DAC’s are likely to evolve quickly, then I’d like my integrated amp to not be weighed down by a DAC which would too quickly become a vestigial organ inside it.

To reiterate the question: What combination components would best help out with some portion of the sequence of serving--converting--amplifying--digital sources materials while avoiding too-rapid obsolescence?

Thanks for entertaining the question. Again, I’ve read a lot, but it’s not made my path clear. (Or maybe I just get a PS Sprout and call it a day?)

Dave
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@kren006 Thanks for a great reply. That does help sort out the factors a bit more for me, and the percentage breakdown and the issue of "primary" vs. "secondary" system is also quite useful.

There are couple "in the weeds" factors which I need to research further. One is related to the media which may have more sticking power than we initially assume (because we’re swamped by the churn). I see vinyl resurging -- and even read an article on cassette tapes as still (somewhat) viable (more skeptical on that one, given the magnetic adhesion factor). Another is the sticking power for the delivery technology. As I watch standards for USB, or wifi routers, or codecs change, I get flashbacks of the "betamax" vs. "vhs" thing. I just recycled a bunch of "firewire" cords and have numerous old hard drives sitting in my closet. All that stuff seems more outdated than the CDs I own, despite the fact that they’re all about the same age, more or less.

Meanwhile, my AR 48s from 1983 are great. My Adcom separates from 1993 still make music. And I still have a Thorens TD166 from the 1980s, too. Those all are just examples of the point you made. I want to improve on them, but they’re not *forcing* me to with the same necessity that some other elements are.

The last factor is about distinguishing among my own motivations. I'm quite ok with swapping out and improving gear because this is hobby and about learning through experimentation. (I mean, who doesn't like to try new restaurants or new kinds of food?) But there's an aspect to this area which leads to upgrade-itis, and that's part-and-parcel of the consumerist culture that's environmentally quite destructive and not related to music listening, which has to be the main goal. I want to know why I'm doing all this.
Yep, that’s why if at all possible it is best to audition as many things as possible before purchasing. Serves two purposes: 1) offers better chance that you’ll make more informed decision according to your unique sonic preferences based on comparative results; and 2) offers some comfort that you’ve already experienced what’s out there so less ’upgraditis’ pull, I’ve found ...
Let me illustrate via a story. I live just outside of New Orleans. We have to deal with local flooding and pooling in front of our home, often. 2 feet of water! On the street! Unless you have 'lifted' your Jeep or SUV, vehicles need to be up off the street. 

The reason: the short intake pipes on the street are much, much larger in diameter than the lengthy out-take drainage pipes leading to the drainage canal. Clever engineering, right. : )

Think of the flooding in front of my home as equivalent to the sonic results closest to your ears. Speakers are what your ears are closest to. The drain opening into that canal is distant, but it sure has a bearing and impact on what you experience in front of the home.

Kren, along with so many on the forum, essentially provides the same clever "engineering" solution. 

The front end matters. Go out and listen to a well implemented front end with basic speakers. Then listen to a basic front end with "high end" speakers. 

I can share example after example of systems where the money is in the speakers yet everything in front can't and does not deliver what those speakers are capable of. It's a mistake so many love making and are proud of.

My general advice: take care of the source... in your case source through preamp. There is no need to shy away from or be concerned about an all in one front end (Streamer+DAC+Preamp). 

I'm currently evaluating a Streamer-DAC-Preamp and it is showing up my separates, with ease. : )
@kren good suggestion for avoiding upgrade-itis. Audition, audition, audition.

@david_ten I like this advice: "Go out and listen to a well implemented front end with basic speakers. Then listen to a basic front end with "high end" speakers."

I might try a simpler variation of that: bring speakers I know well to a store and try out different front end equipment with it so a variable is eliminated.

Everyone will have preferences, and ideas on how to partition a budget.

Of course everything matters in the absolute.

The hard part is getting the best sound from the whole for a given budget.

I’d argue the best $2k dac/streamer can get 97% of the performance of a $10k dac streamer (give or take, you get the point), but the best $2k speakers will pale in comparison to the best $10k speakers when paired with that best $2k dac.

Just my opinion. Not here to argue. YMMV


Problem is, today’s best $2k dac is not tomorrow’s best $2k dac; but today’s best $10k speaker more likely (than the dac, anyway) to be tomorrow’s best $10k speaker (to extent that even quantifiable). That’s my point, and get’s to what OP was asking about re obsolecense.

My first post I suppose was in some sense broader than what OP was asking.  He was interested in amps/pre/source and I kinda broadened it out to whole system because I think you have to look at everything all at once even if only tweaking portion of system, if only to convince yourself you aren't going down a fruitless path