"Me And Bobby McGee" by Gordon Lightfoot. When Walter Davies (my first hi end dealer, later known for his Last Record Care products) played the LP track for Bill Johnson and I in 1973, Bill’s response was: "That is a great sounding recording." Gordon’s voice and acoustic guitar are suspended in air, right there in front of you. Lots of inner detail and microdynamics in the fingerpicked guitar playing. My by far favorite version of the song.

"Donovan’s Colours" by Van Dyke Parks, off his Song Cycle album. VDP’s is the genius who collaborated with Brian Wilson on the ill-fated Smile album. Song Cycle was his first solo album, and is unlike anything you have ever heard. This song was included on an LP JBL produced in the late-60’s, for use in loudspeaker demoes.

"Superstition" by Stevie Wonder. Punchy drums (played by Stevie himself), deep electric bass, percussive staccato clavinet. Original pressing on Tamla, recent reissue on MoFi.

"Would I Lie To You?" by The Eurythmics. 12" 45. The 41Hz open E string electric bass note will severely test your woofers' displacement capabilites. Drumming by Clem Burke of Blondie.

"Mercury Blues" by David Lindley. Play it loud.

"Mercury" from Holst’s The Planets. The New Philharmonia Orchestra conducted by Sir Adrian Boult, on EMI. The percussion section of the orchestra is heard elevated on stage risers, sounding WAY further away than is the wall behind your loudspeakers (assuming they are planars ;-) .


Some of my favorites that sound good on MY system: I've discovered these to be some of my favorites that REALLY sound good on my particular system. I'll use these / play these when I'm introducing my hobby / system to someone for the first time.


Dire Straits: Sultans of Swing
Boston: Fore Play / Long Time
The Police: Wrapped around your finger
The Eagles: Hotel California (off of the Hell Freezes over album)
ZZ Top, Rough Boy
Def Leppard: Hysteria (and in general, anything off of the Hysteria Album)
Ratt: Lay it down
Ratt: Slip of the lip
Poison: Something to believe in

You could add Patricia Barber's debut album, Cafe’ Blue to the album list. I’d like to get a vinyl LP to compliment my CD.

And add The Patriot w/ Mel Gibson to the movie list. Superb close vocal miking and sound effects.
Bring your own music that you are very familiar with.

I bring these 5:

enough is enough duet, Barbra Streisand and Donna summer, hear their voices distinctly?

https://www.discogs.com/Barbra-Streisand-Donna-Summer-No-More-Tears-Enough-Is-Enough/master/74336

Jeff Wayne's War of the Worlds. Richard Burton's voice sound correct?

https://www.discogs.com/Jeff-Wayne-Jeff-Waynes-Musical-Version-Of-The-War-Of-The-Worlds/master/71524

Double Bass, two Jazz Bass Players. Can speakers both Produce, and Control bass?

https://www.discogs.com/Niels-Henning-%C3%98rsted-Pedersen-Sam-Jones-Double-Bass/master/56219

Cassandra Wilson, Blue Light 'Til Dawn. Her voice, amazing musicians, imaging, .....

https://www.discogs.com/Cassandra-Wilson-Blue-Light-Til-Dawn/master/40901

finally, Drums, Mickey Hart, Planet Drum

https://www.discogs.com/Mickey-Hart-Planet-Drum/release/1935048
There were a few vinyl records made in the 1970's by Lincoln Mayorga that were direct-to-disc to enhance the dynamic range and recording accuracy of the instruments.

We always used these in my shop back then to demo Audio Research and Magnepan systems, which were the best in those days.  We also recorded them onto a Nakamichi 1000 and played it through the same system to hear the differences between the original vinyl and the cassette tape (Their Dragon was a later invention.)

As for regular vinyl, we used Maria Muldaur's "Midnight at the Oasis" song and, as it was VERY POPULAR with the younger set, Pink Floyd's "Money" as well.  Customers really liked that one, although I was not that impressed with the recording.  The fabulous singer Linda Ronstadt was also a good choice.  Back then, female voices were used as a kind of benchmark for listening.

Orchestral sounds were mainly London Decca vinyl versions of whatever we had on hand.  Customers usually brought their own stuff if they were serious about wanting to listen to different set-ups. 

A local competitor/dealer, Peter McGrath, used a Stellavox and some good microphones and went around recording live music that he used in his shop in Coral Gables.  He became a bit famous for the quality of his recordings for a while, and they were pretty good!

As for digital, it was not invented yet and today, when I listen to my CD's, I am always going back to vinyl for what I believe is more accurate playbacks.  I guess it depends on what you are used to.

Cheers!