Check out Human Speakers. He's a former Winslow Burhoe employee. He sells everything needed to refurb EPI/Epicure and Genesis speakers. He also manufactures new acoustic suspension speakers. No affiliation. I've always heard very good things about Huw Powell.
Acoustic Suspension sound in 2020?
I really like the sound of the 1960's-1970's acoustic suspension speakers owning a pair of AR-11's.
For a second installation, two questions for you folks who know far more than I--
- First, what if any new speakers have a similar sound?
- Second, any thoughts on KLH 5 and 6 vs. Large Advents vs. AR-3/11 and/or others?
Budget--I'll figure out later...if ideas are expensive, why not have a lust list to go with the purchase short list???!!!
Thanks very much!
Andy
For a second installation, two questions for you folks who know far more than I--
- First, what if any new speakers have a similar sound?
- Second, any thoughts on KLH 5 and 6 vs. Large Advents vs. AR-3/11 and/or others?
Budget--I'll figure out later...if ideas are expensive, why not have a lust list to go with the purchase short list???!!!
Thanks very much!
Andy
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- 27 posts total
Agreed - Human and AudioNote for modern speakers. Human may have more the vintage sound. Also Seas A26 kit from Madisound. Modern version of classic Dynaco A25 of the '70s, though not a sealed cabinet. https://www.madisoundspeakerstore.com/2-way-speaker-kits/seas-a26-10-2-way-kit-pair-based-on-the-cla... |
Some AN models are ported, some are sealed. IME, there is really no substitute for the acoustic suspension sound in a vented box. Some bass-reflex and transmission-line speakers can play as deep but lack the speed and texture. Open baffles excel at texture but can’t dig very deep. The advantage of bass-reflex is reasonable efficiency with decent extension. AS designs tend to be power hogs but excel in bass quality. Old models like the Large Advents can match and even surpass some modern designs in many regards. Unfortunately, I find they sound great until they suddenly don’t. They suck up gobs of power and there’s a very sharp transition from clean sound to ugly distortion. Playing them at loud levels can heat up the motors quickly and lower the threshold further. This is why I don’t use my NLAs above moderate SPLs, however, played within their limits they can teach modern designs a thing or two. The Gershman Acoustics AS designs are intriguing, though I’m suspicious of their claimed sensitivity: http://www.gershmanacoustics.com/gershman_speaker_modles.html Most ATCs are acoustic suspension. In the budget realm there's NHT. |
- 27 posts total