@lalitk
Thanks. I will (gingerly) post on that thread. I am going to turn this industry on its head so i need to be careful. The issue of RF noise (basically any EM energy above the audio band) is grossly under-appreciated as being detrimental to ultimate sound from a DAC. There is so much misinformation about tweaks to the upstream digital chain. Servers, cables, power supplies, switches, reclockers, etc. - all do nothing to the fidelity of the digital stream to the DAC. It’s always 100% perfect. The bugaboo of jitter is a 1990’s issue - modern DACs are impervious with double-buffers and separately clocked outputs.
It may be incredulous to many (most) that digital electronics radiate RF noise across meters of open air or via galvanic signal paths or AC mains to enter a DAC to affect the final D/A stage through perturbations in clocking or reference voltages. So all those tweaks ...all they do is change the radiated emissions profile; modulating the RF correlation to become manifest as subtle deviations in a DACs output waveform timing and amplitude: hence staging, timbre, detail.
I wanted a solution not a partial fix so I solved this for myself (and its a commercial Audiowise product) by putting my entire digital chain inside an RF isolation chamber (a 90dB attenuation Faraday cage) with only optical allowed in/out. Bingo - zero audible difference between a Raspberry Pi, an Intel NUC or an ’audiophile’ server. No difference between a $5 USB cable or a $500 one. No difference between using a factory switch-mode power supply or a $1500 LPS. When all these tweaks are contained inside a RF chamber, no RF noise escapes and the DAC always sounds its best (as it was designed).