This is expensive but it might address all those "problems" with CD playback.
http://www.esoteric-usa.com/Products/audio-players/Grandioso-K1.php
It isn't the bits, it's the hardware
4.2
The question of whether hardware performance factors,possibly unidentified, as a function of sample rate selectively contribute to greater transparency at higher resolutions cannot be entirely eliminated.
Numerous advances of the last 15 years in the design of hardware and processing improve quality at all resolutions. A few, of many, examples: improvements to the modulators used in data conversion affecting timing jitter,bit depths (for headroom), dither availability, noise shaping and noise floors; improved asynchronous sample rate conversion (which involves separate clocks and conversion of rates that are not integer multiples); and improved digital interfaces and networks that isolate computer noise from sensitive DAC clocks, enabling better workstation monitoring as well as computer-based players. Converters currently list dynamic ranges up to∼122 dB (A/D) and 126–130 dB(D/A), which can benefit 24b signals.
This is expensive but it might address all those "problems" with CD playback. http://www.esoteric-usa.com/Products/audio-players/Grandioso-K1.php |
>>>>>One assumes that is pure speculation or maybe wishful thinking. Or, contrary to the post the reply was too, it was factual knowledge, and not an opinion or an unproven and evidence lacking hypothesis. The CD can flop around like a beached whale in a tsunami, but unless there are unrecoverable errors, a buffered and reclocked modern audiophile player's output is not going to be effected. This isn't the 80's and 90's when due to cost and limited functionality of player mechanisms you were beholden to the recovery of data impacting the clock PLL, and jitter due to the variable error recovery pipeline. |