Sorry to disappoint you, CT. I was reporting a conversation with an expert who realized the limitations of his design, and warned me against it when I asked. A true gentleman, Tom Fletcher.
You are of course correct that the Trans-Fi is a hybrid linear tracker. But, I note that the two plane air bushing is usually compromised by a relatively stiff air hose to pressurize that bearing, so I can’t agree that it is the most linear. That hose generates large forces relative to other forces on the stylus.
Big problem, or so it seems to me, considering Hooke’s Law (as the air hose acts like a spring); displacement is linear in force, but restoring force is proportional to offset from the centre, so it changes as the air bushing traverses the beam. Assuming that the air hose is centred at 4 cm from the rim of the record, this causes the stylus to press into the left channel, decreasing to 0 force at centring, and increasingly press into the right channel.
Trans-Fi finesses this problem by pressurizing the beam on which the saddle rides, and taking care of vertical motion by very low friction pivots. The only external force on the saddle is the tonearm’s cable - still a spring, but a very, very tiny one! The pivots only need to handle a few grams each - I like copper for the Koetsu, nylon for the Miyajima. Agreed that air would be best here too, but it’s not obvious how to do it.
What do you think?
I have discussed the weaknesses of this design in other postings, but overall I like the compromises which this design represents. My main modification is another support at the end of the beam, which allows me to adjust horizontality to 1 minute of arc, and maintain that setting.
You are of course correct that the Trans-Fi is a hybrid linear tracker. But, I note that the two plane air bushing is usually compromised by a relatively stiff air hose to pressurize that bearing, so I can’t agree that it is the most linear. That hose generates large forces relative to other forces on the stylus.
Big problem, or so it seems to me, considering Hooke’s Law (as the air hose acts like a spring); displacement is linear in force, but restoring force is proportional to offset from the centre, so it changes as the air bushing traverses the beam. Assuming that the air hose is centred at 4 cm from the rim of the record, this causes the stylus to press into the left channel, decreasing to 0 force at centring, and increasingly press into the right channel.
Trans-Fi finesses this problem by pressurizing the beam on which the saddle rides, and taking care of vertical motion by very low friction pivots. The only external force on the saddle is the tonearm’s cable - still a spring, but a very, very tiny one! The pivots only need to handle a few grams each - I like copper for the Koetsu, nylon for the Miyajima. Agreed that air would be best here too, but it’s not obvious how to do it.
What do you think?
I have discussed the weaknesses of this design in other postings, but overall I like the compromises which this design represents. My main modification is another support at the end of the beam, which allows me to adjust horizontality to 1 minute of arc, and maintain that setting.