@dsholl1
There is just something about the KT150 I find too Hi-Fi sounding and cerebral.I wouldn’t characterise the Kt120 as dry at all. I think it’s a blend of a EL34 and a good 6L6. It just sounds a bit warmer tonally to me than the KY150 which does all the Hi-Fi tricks very well.
I’m sure it comes down more to implementation than the actual tube.
I’m a big EL34 amp fan myself in the right implementation. Was hopeful the KT120 would be the answer, for the exact same reasons you’ve outlined here - however MY particular amps just did okay with them. The amp designer told me to try KT120s knowing I was a big EL34 fan, but we eventually agreed the KT150 was a better synergy in my case.
New, yes, at first the KT150s had more of a "hi fi sound", yet at 200-300 hours run-in time on the KT150s output tubes + good vintage input/driver (12xx7), was a game changer. More of an EL34 sound now with a tad more air on top and definitely more weight on the bottom-end, less rounded off on the bottom end now - with THESE amps.
>> the real trick I found was getting the right vintage input tubes paired with KT150 output tubes to achieve the right balance, tone, texture <<
Pairing the good input tubes and the right silver-gold coupling caps in my amps truly made the KT150s a real pleasure to listen to now. Not until then. I’ve also heard the same amps with stock caps and stock input tubes with 500+ hours on the KT150s and they smoothed waaaaay out. KT150s do smooth down with longer run-in time.