Certainly group delay and frequency response are intertwined.
I suspect that "masking" is what makes the effects audible. What I mean is that you can't perceive accurately what is happening to the bass response except by what it "masks" in the higher frequencies.
If a 20 Hz signal suffers a group delay of say 30 msecs - what happens to the harmonic distortion associated with that sound...are they also delayed by 30 msecs?
If the harmonic distortion is significant and delayed by 30 msecs then you may have a very audible 80 Hz harmonic that is audibly delayed by 30 feet. I cannot help but suspect that this harmonic will make the bass sound "slow", "bloated" or "muddy" by masking higher frequencies.
In essence, just consider the entire harmonic distortion from low frequencies (below 50 Hz) all delayed by the group delay - this smears out the bass response and masks transients to the ear.
I agree that a hump in the frequency response will ALSO cause masking by emphasizing certain frequencies by as much as 5 dB more than they should be and making the balance of sound such that you do not properly hear the higher frequencies (sound of the high frequency hit from the stick hitting the drum head).
Sound Engineers know that they can change the "speed" or attack of bass notes by altering the higher frequencies - emphasis is added for greater attack and de-emphasis to make the sound more laid back - in my opinion they are playing with teh amount of bass "masking" when they do this
I suspect that "masking" is what makes the effects audible. What I mean is that you can't perceive accurately what is happening to the bass response except by what it "masks" in the higher frequencies.
If a 20 Hz signal suffers a group delay of say 30 msecs - what happens to the harmonic distortion associated with that sound...are they also delayed by 30 msecs?
If the harmonic distortion is significant and delayed by 30 msecs then you may have a very audible 80 Hz harmonic that is audibly delayed by 30 feet. I cannot help but suspect that this harmonic will make the bass sound "slow", "bloated" or "muddy" by masking higher frequencies.
In essence, just consider the entire harmonic distortion from low frequencies (below 50 Hz) all delayed by the group delay - this smears out the bass response and masks transients to the ear.
I agree that a hump in the frequency response will ALSO cause masking by emphasizing certain frequencies by as much as 5 dB more than they should be and making the balance of sound such that you do not properly hear the higher frequencies (sound of the high frequency hit from the stick hitting the drum head).
Sound Engineers know that they can change the "speed" or attack of bass notes by altering the higher frequencies - emphasis is added for greater attack and de-emphasis to make the sound more laid back - in my opinion they are playing with teh amount of bass "masking" when they do this