Esoteric DV-50: Any cdp's Significantly better?


Is there are anyone out there who has compared the Esoteric DV-50 to a number of dedicated red book only players (or other universal's) and found one that is SIGNIFICANTLY better?

I stress significantly because in my humble opinion the redbook playback (if comparison unit is just a cd cd player only )must be significantly better to justify losing DVD-A, SACD and DVD-Video capability.

I keep hearing there are better one box solutions and being a die hard 2 channel fan I would sell my DV-50 if I found a player in the same price range that sounds significantly better. But every time I do an AB comparision to other well respected units the DV-50 has slayed each and every one.

So far, it has eaten the lunch of the Classe CDP-10, Ayre CX-7, Linn Ikemi, Cairn Fog Vers. 2, Cary 306/300, Arcam DV 27A and CD 33T, Myryad CD 600, etc. It even betters a Sony SCD 777ES/MF Tri-Vista 21 transport/dac combo that I previously owned. I'm only comparing the DV-50 to single box cd or universal players, but I just wanted to mention the Sony/MF combo. I'm sure there are some dac/transport combo's that will handily beat the DV 50.

Some may say that the DV 50 should beat all the above because the of price point ($5,500 vs. average price of $3,000 for the above players). But I disagree since conventional wisdom says that stand alone players (especially with the pedigree of those mentioned above) should produce better redbook than a universal player trying to be a jack of all trades. Only the DV 27A does video plus audio. By the way, I was very impressed with the 27A as just a cd player. Of all the above I would say the Ayre was the best.

Next on my list is the Electrocompaniet EMC 1UP and the Resolution Audio Opus 21. However, I must tell you I am really impressed with the DV 50 and all the great reviews are absolutely true. I've noticed that many people who are using it or comparing to other players are using the RCA analog outs instead of the balanced outs. There is a significant improvement in sound if you use the balanced outs and I'm only interested in hearing comments from people who have compared it against other players using the balanced outs on the DV-50.

My system components are as follows:

B&W N803's speakers & HTM-1 center
Cary Cinema 5 (5 x 200) amp
Anthem D1 Statement pre/pro
Esoteric DV 50
Acoustic Zen Satori Shotgun speaker wire
Nirvana SX balanced interconnects from DV-50 to Anthem
Acoustic Zen Matrix reference II interconnects from D1 to Cary
No after market power cords or isolation equipment

My system sounds great! Those who comment please make sure to specify what specific improvements you heard over the DV 50 and what cdp were you comparing it against.

AVGURU
avguru
Thank you Alex and Tbg

Alex, there is no doubt that yours is the most complete rework – indeed you
described it as “your own machine” in an earlier response. Because you replace the DAC board, yours is unique in providing its own remote control, volume attenuator and filters. For comparison purposes, I have stripped out the cost of this proprietary DAC board.

The point I was making was not about the price difference but the fact that the machines reflected their modders’ different approach and execution, SS versus tube, use of output coupling transformer, etc.

Tbg, I agree that shootouts have their limitations and the conclusions, if any, may not be free from biases. But we listeners have our listening biases too. Notwithstanding this, as a result of this widely followed thread and the listening sessions, potential buyers of the various machines now have a greater sense of how they pan out.

The VSAC sessions you mentioned featured John Tucker's, Dan Wright's, Alex Pachec's, and Allen Wright's mods. The praise for all the units that you heard at the end of that session may not have answered the question which is best – but at least you know the various machines are playing in the same league. So, why hasn’t anyone included RAM and Underwood into the listening comparisons?

Regards
Avguru, sorry I forgot to answer your other question! The DV-50 mod does not touch MC or Video, they remain intact. The MC in the DV-50 is totally separated circuit. It can be further upgraded for even better sonics. Since the DV-50 uses Pioneer DV-47Ai transport and DSP, it is one of the very rare DVD based universal players to NOT buffer the CD data. It spins the CD 1x, just like a regular CD player. This is something that I do not like at all.

Regards,
Alex
Alex, what are the substantial differences, if any, between the 3910 and the 5910; that is, what would be gained by modding the 5910, and what would be the cost beyond suggested retail? I apologize if these questions have already been addressed.
Islandear, the transport/Audio DSP of these machines is identical. With my mod, there will not be any benefit of modding the 5910, except if there is any major Video processing difference and you really want better video performance.

Regards,
Alex
alex

i have already e mailed you regarding purchase of the 3910 with full mods. Will you be able to do it in 240volt, or should I purchase the unit in the uk and send it to you?

I have always added the Musical fidelity X10d buffer which always added an organic warmth to the sound, improved low level detail and improved the three dimentional imaging.(this was in my audiocom modded sony scd 777es) So it is not suprizing that the tube mods are so successful.Indeed I have also used with 100% success every time the Monarchy DIP 24/96, which always added better tonality (microdynamic functionality)hence the more lifelike sound. I have used it between various transports and dacs with the same success. With the use of both the dip and x10D I wonder if these set ups match your single modded unit? Of course I have used better tubes,caps and my own filtered high VA ac input) in the X10D than the stock one.
Putting copper around the transport always improved the warmth and tonality of the sound and I have since discovered that this was done in the Marantz SA1. However, I have always found that full encapsulation or shielding of the unit lead to too much softness and loss of transparency. Nonetheless the same feat could be managed by simply wrapping copper (pure) around the interconecting or power cables. Again the amount of revolutions were consistent in the degree of warth added to the sound. The magic number was usually five turns before the sound stopped changing or became overly soft. Please note that these are not earthed. It is obviously an electromagnetic effect. Ultimately the design circuitry is the essential sound you will have but by judicious use of copper as described above you can TOTALLY change the sound of the unit. If you then decide to use silver coated copper you will extract more detail from the unit more transparency and insight but less warmth. The same also happens if you use 0.14 mm wire as oppossed to .5mm. So when one describes the teac as being 'lean' 'forward' 'musical'etc can be readily and easily changed to the opposite spectrum as described above. All those guys on this forum compare this to that but in reality there are dramatic effects that can be made by simply manipulating the transport surround or indeed the power and interconnect cables(or indeed adding the x10d buffer, which i know you will not like hearing) Ultimately the important factor of the unit (assumming it extracts near maximal detail) is what amount of changes the unit can support whilst inproving before the sound falls apart and you have not quite reached audio nirvana. Now that would be interesting in a unit such as the Teac DV50.

However, as i said the circuitry which extracts the maximum potential from the unit is what matters most and I am sure that you have this in your mods, by simplifying circuitry etc.

I look forward to doing business with you VERY SOON, or I may have to jump over to the cheaper exemplar.

regards Luke