Love the gear (or listening to it) as much or more than the music? Sacrilege!


Back when I was in graduate school, an Art History doctoral student and I used to go to the art museum together. We saw some amazing paintings. But she was just as interested in their frames or their lack thereof.

In audiophile circles, in my limited experience, the drum that beats is always the same — "Remember, this is about the *music*." Or, "Too many audiophiles forget that the real goal is the enjoyment of music." Etc. There's also a variant — "Too many audiophiles are just listening to the gear, not the music." The finger only wags in one direction.

So...while no one would ever assert that it's ok to *only* love the gear (or listening to the gear, mainly), I wonder how many would be willing to admit that they love the gear as much or even more than the music? Is that something you have ever heard someone admit — or have admitted yourself? Because sometimes the music is pretty ugly and the gear is pretty beautiful.
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Yeah, you gotta be free to do what pushes your buttons, but I'd go nuts if the only thing I cared about in audio was physical fidelity.  As seductive as sound itself may be, music is at a whole 'nother level of pleasure.
they love the gear as much or even more than the music  


You see it all the time. Good luck getting one to admit to it though.
I freely admit I love gear almost as much as the music BUT not at the expense OF the music.
While I've never bought any piece of gear based solely on appearance my system did end up with gear that just happens to look like a supermodel with the voice of an angel...
Thinking about this question -- and the tension it can provoke in answering it -- I was reminded of that old book, Zen and the Art of Motorcycle Maintenance. The book meant to use the notion of "quality" to explode the false division between Romantic and Classical standpoints. One can be romantic about a motorcycle, and maintaining it -- it doesn’t have to be *just* a "machine" that has a remote ("Classical") structure to it. It was designed by someone who expressed their emotion-rooted sense of quality in it; this emerges in the active process of maintaining and repairing them. I can see the same appreciation being extended to audio gear, but it’s much harder to risk disrespecting the collective (and Romantic) love of music in the process.