So does mine!
Classical Music for Aficionados
I would like to start a thread, similar to Orpheus’ jazz site, for lovers of classical music.
I will list some of my favorite recordings, CDs as well as LP’s. While good sound is not a prime requisite, it will be a consideration.
Classical music lovers please feel free to add to my lists.
Discussion of musical and recording issues will be welcome.
I’ll start with a list of CDs. Records to follow in a later post.
Berlioz: Symphonie Fantastique. Chesky — Royal Phil. Orch. Freccia, conductor.
Mahler: Des Knaben Wunderhorn. Vanguard Classics — Vienna Festival Orch. Prohaska, conductor.
Prokofiev: Scythian Suite et. al. DG — Chicago Symphony Abbado, conductor.
Brahms: Symphony #1. Chesky — London Symph. Orch. Horenstein, conductor.
Stravinsky: L’Histoire du Soldat. HDTT — Ars Nova. Mandell, conductor.
Rachmaninoff: Symphonic Dances. Analogue Productions. — Dallas Symph Orch. Johanos, cond.
Respighi: Roman Festivals et. al. Chesky — Royal Phil. Orch. Freccia, conductor.
All of the above happen to be great sounding recordings, but, as I said, sonics is not a prerequisite.
I will list some of my favorite recordings, CDs as well as LP’s. While good sound is not a prime requisite, it will be a consideration.
Classical music lovers please feel free to add to my lists.
Discussion of musical and recording issues will be welcome.
I’ll start with a list of CDs. Records to follow in a later post.
Berlioz: Symphonie Fantastique. Chesky — Royal Phil. Orch. Freccia, conductor.
Mahler: Des Knaben Wunderhorn. Vanguard Classics — Vienna Festival Orch. Prohaska, conductor.
Prokofiev: Scythian Suite et. al. DG — Chicago Symphony Abbado, conductor.
Brahms: Symphony #1. Chesky — London Symph. Orch. Horenstein, conductor.
Stravinsky: L’Histoire du Soldat. HDTT — Ars Nova. Mandell, conductor.
Rachmaninoff: Symphonic Dances. Analogue Productions. — Dallas Symph Orch. Johanos, cond.
Respighi: Roman Festivals et. al. Chesky — Royal Phil. Orch. Freccia, conductor.
All of the above happen to be great sounding recordings, but, as I said, sonics is not a prerequisite.
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Here are the missing parts ,the intellect and study to know where the master was going and the heart, soul, and humility to travel that path . https://youtu.be/wNV5I1Polws?t=1 Perfect ! |
Too bad Moravec didn't record more music for the solo piano. I have his Brahms Intermezzo Op117, #2 and OP118 , #2. This recording (Vaia 1096) was my introduction to Brahms solo piano music. Tough to follow up on this. Fortunately for other pianists, unfortunately for us, he didn't record a lot more. FWIW I have two words for Volodos recording, somewhat dark and broad (sumptuous?), and flaccid. I agree with your thoughts --- I took a few minutes this morning and listened to the Intermezzo OP118 by Plowright, Kubalek (a long time favorite - performances not damaged by the recording) and Lupu. I find Plowright's Brahms the opposite of Volodos'. He has 4 volumes of Brahms piano music and I wouldn't be without them. Not sleepy time performances. :-) |
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- 3877 posts total