Dear @ct0517 : "" based on the design of this tonearm, did not think that a couple of millimetres either way, was that important ? ""
your whole statement posted and coming from you has no real sense because the design of any pivoted tonearm just not takes in count a comment like that.
That designer statement only confirms his very low/poor knowledge levels of the implications of 1mm-2mm differences in the overhang set up.
Yes he said it that way ( it comes in the instruction manual. ) the question is: why did it? when any pivoted tonearm can’t be designed for that 1mm difference in overhang can't makes a difference at all even with his ST choosed alignment.
Always will be a real difference that maybe we can’t detect it the quality level of what we listen of what that difference makes in tracking error and tracking distortions but are there.
Do you know which is the only difference between Löfgren A/Baerwald and Löfgren B alignments? the only difference is: around 0.5mm on the calculated overhang ( obviously that because are two different kind of alignments the null points calculated are different but with no relationship with the overhang calculated. ).
The FR designer not break the rules on the alignment issue it’s only that he just can’t understand it. His overall tonearm design has a lot of faulty/mistakes in what cartridge needs and asks to the tonearm for that cartridge can shows it at its best.
Everything is important in the cartridge/tonearm geometry alignment and its implications in the quality level we will listen with but the more important and main subject about is that we pivoted tonearm owners can understand it the true behind and the reality behind the overall tonearm alignments. This is the reall issue.
Chris, for my part I don’t care per sé about those alignment measurements I’m trying only to explain those important an critical implications.
Regards and enjoy the MUSIC NOT DISTORTIONS,
R.
your whole statement posted and coming from you has no real sense because the design of any pivoted tonearm just not takes in count a comment like that.
That designer statement only confirms his very low/poor knowledge levels of the implications of 1mm-2mm differences in the overhang set up.
Yes he said it that way ( it comes in the instruction manual. ) the question is: why did it? when any pivoted tonearm can’t be designed for that 1mm difference in overhang can't makes a difference at all even with his ST choosed alignment.
Always will be a real difference that maybe we can’t detect it the quality level of what we listen of what that difference makes in tracking error and tracking distortions but are there.
Do you know which is the only difference between Löfgren A/Baerwald and Löfgren B alignments? the only difference is: around 0.5mm on the calculated overhang ( obviously that because are two different kind of alignments the null points calculated are different but with no relationship with the overhang calculated. ).
The FR designer not break the rules on the alignment issue it’s only that he just can’t understand it. His overall tonearm design has a lot of faulty/mistakes in what cartridge needs and asks to the tonearm for that cartridge can shows it at its best.
Everything is important in the cartridge/tonearm geometry alignment and its implications in the quality level we will listen with but the more important and main subject about is that we pivoted tonearm owners can understand it the true behind and the reality behind the overall tonearm alignments. This is the reall issue.
Chris, for my part I don’t care per sé about those alignment measurements I’m trying only to explain those important an critical implications.
Regards and enjoy the MUSIC NOT DISTORTIONS,
R.