Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10

This is an album that hit it out of the park for me. I played this album and reflected on all of the songs in it; especially the songs I had experienced;


          https://www.youtube.com/watch?v=_0wta3xkqJo&list=PLGGHQ-AX44-SShGhZ_zK9E23Q0-DukSaI

Pryso, the closest I came to what you're asking about is when one of my uncles who used to call me at 3:00 AM after he had gotten into the brandy bottle, and wanted to talk until daylight.

One night he called at his usual time and began talking about ancient family history, and just out of the blue asked if I liked Miles Davis. "Sure", I answered. Then he asked me if I wanted to meet Miles. "Of course", that's when he told me that he would call Miles to check his schedule to see when we could come to New York to visit.

I figured that this was just Uncle's brandy talking and didn't follow through. It wasn't till many years later, after I read Miles Autobiography, (both men were dead) that I discovered he was one of Miles good friends, and our visiting Miles would have been just that easy.

When Miles got homesick and wanted to see his friends, he invited them to his home for a week or longer at a time. None of his musician friends were allowed at these gatherings. From what I discovered, that's because he was no longer Miles the celebrity musician at these gatherings (they treated him the same as they treated him and each other when they were all growing up) That was something he didn't want anyone else to see. This Miles was never revealed to the public, he was not that sometime abrasive person that we know as "Miles Davis", but the kind of person you would want to have for your best friend; he was the nice person that we never got to know because nice people got used and abused when they were famous musicians, and he had to maintain a "veneer", that wasn't really him.
Pryso, if its not much trouble for you, I would be very curious to hear more from you about your perspective of state of jazz in general when you were growing up and later.
For non americans such stories from first hand experiences are quite interesting
Thanks o10, I appreciate the insight.  While I've read a couple of bios and watched a few videos on him, I never came away feeling I learned much about the real person.  It seemed he was always maintaining that veneer as you said.