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Vandersteen Quatro CT *beginner* questions

I started a search for speakers months ago and then all hell broke loose; the search is on pause until I can start auditioning again. I had initially decided against the Vandys (cost, distance to Audio Connection) but I keep reading wonderful things about them. I have a few VERY basic questions for y'all.

--The reviews make them sound like very balanced speakers, good at everything, but I'm still curious if they're known for shining with certain kinds of music (like Harbeths are for the human voice). Although I like to crank tunes every so often, I'm particularly interested in a speaker for chamber and orchestral music. My standard is not the sax or voice or shredding guitar but the cello. I'm also interested in a speaker that can do its thing at low and moderate volumes. I read somewhere that the Quatros like to go big; can they "go small"? 

--I've read that they're relatively forgiving about placement. I know the bass can be "tuned" but I've also read that they're more agreeable about proximity to walls than many speakers. Is that true? (I've owned Maggies and suffer a bit from speaker-placement PTSD, especially around the distance from the back wall.) 

--I can see they require external crossovers. Are those included in the (gulp) $15+k price? 

Thank you all. Of course I hear great things about John Rutan and I know he's accessible, but I thought I'd run these preliminary questions by this forum. And ... thank you!
northman
gdnrbob
4,460 posts
 
@OP, 
I won't lie to you, I am a Vandy fan. I heard the 2's in the early '80's and never forgot how good the sound was.
I now own a pair of Treo's, and find them to be the best speaker I have ever owned.
Regarding the external crossover-
I think they are included if buying new, but, as I have only bought used, I can't say for sure-ask Johnny.
I have my speakers in a less than desirable position, but I am always amazed at how they 'disappear' into the room.
Bob
tomic601's avatar
tomic601
13,074 posts
 
I am a big fan of Vandersteen, own the 7 mk2 his high pass amplifier and a pair of TREO-CT. I also run Quad ESL, Apogee and Thiel in other systems.

The Quattro with CT are certainly a world class speaker at extreme value. I am not sure if the filters are included - I would certainly negotiate IF you get to that point. Powered bass with 11 bands of analog EQ per channel is incredible- takes load off your main amp which helps in all manner of ways - clarity, soundstage, distortion... and tunable bass gives you more placement flexibility. Our Treo system is in a condo so Not needing a  subwoofer Kept us away from the Quattro.

johnny is a great guy and very experienced dealer and setup expert - love trading texts and conversations about great music with him.
Best to you and please don’t hesitate to reach out for help in your search. Enjoy your quest and the music !!!
northman OP
271 posts
 
You guys are great. Thank you! Yes, that "flexibility" and ability to "disappear" are very important to me. I'm not sure why I haven't looked more carefully at the TREO; I'm on that. 


tomic601's avatar
tomic601
13,074 posts
 
In the TREO CT you get the same tweeter and Mid as the Quattro and you could add the sub 3,s later
i believe the Quattro has advantages of DBS inside the internal crossover, JohnnyR can confirm
ohlala
1,238 posts
 
I have never owned them but have heard the whole upper level line of numerous iterations a good number of times, except the Kento. The quatros are really, really good at chamber music and vocals. I do not think they give up anything to Harbeth along those line. Plucked instruments, not so much because the attack is muffled. That is the main reason I could not get along with them, but I like horns and electrostatics. 
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