Sam here again.Is new remastered vinyl fake vinyl?


I grew up on vintage vinyl and I loved that sound, however I haven't owned a turntable in 20 years and the only reason I don't get back into vinyl is because new remastered vinyl is FAKE vinyl and I knew it from the first listen. Granted new remastered vinyl has a lot less surface noise than 1st press vinyl, however the sound is gone and it ain't no accident friends! Just have a listen to a first pressing of is this love by bob marley straight from YouTube to avoid manipulation of the audio.   https://www.youtube.com/watch?v=yxy-th7Lkko&t=5s   now have a listen to the remastered version of the same song.  https://www.youtube.com/watch?v=vCFazxbK6hc  Clearly the 1st press from 1978 has that very distinct sound I remember however, if I didn't know the remastered version was vinyl I would never know because that distinct sound is not there? And you can find hundreds of examples all with the same results. It looks like the vinyl isn't the only thing being played here friends? Compared to the 1st press the remastered version sounds like mono.
guitarsam
I hear you. Every original I have beats the remastered version for one reason only: digital manipulation.
Late 50s-60s analog pressings on Columbia, Verve, London, Decca, Mercury, Red RCA etc. can be absolutely magic. 
Sam here and I realize some of you think I'm crazy which is OK, I know it's hard to accept change, however you must accept the truth when the facts support it. When I put the piece of notebook paper inside the lamp were the bulb goes knowing that the natural wood frequencies from the paper will travel through the house wiring and get encoded onto the digital audio making it sound superior to both digital and vinyl everyone thinks I'm joking? However, if you bothered to try it you would realize that maybe I'm not as crazy as my ideas sound? Have any of you even heard of the hypersonic effect  https://www.frontiersin.org/articles/10.3389/fpsyg.2017.00093/full

That’s no crazier than finding the perfect place in the room for small 1 1/2” Mpingo ebony disc, or placing a square of white paper under a table leg or amp stand leg, or sticking a 1/8” Silver Rainbow Foil on top of the COMPACT DISC logo on a CD label. Or writing,
‘x = PRESENT TIME with a narrow point RED pen on a CD label.

Not to mention ye olde Schumann Frequency generators audiophiles adore that put a 7.83 Hz signal out into the room, 7.83 Hz being suspiciously close to the Alpha Frequencies mentioned in the article.
Not to mention 432hz which i believe does change the sound however is it for the better? my goal is to (1) recreate the hypersonic effect in the digital realm (2) recreate that very distinct stereoness found only on vintage vinyl. now if i can achieve #1 and post my technic everyone else can do there own digital audio and heal the mind and body? why do you think record companies spent $$$ to discredit the original findings.
Many, many variables in making a quality sounding LP.
My reissue of Tommy sounds very good, but I will agree that the original has a better sound quality.  However, my original copy is way too noisy and has just seen it's better day.  I will settle for a littles less analogue SQ but with the absence of noise.  I can't find a clean original copy that will satisfy me (NM,M-). 
I tried the remastered version of Led Zeppelin, Houses of the Holy, and sent it back.  My original copy (I have had since it was first released) does have some surface noise, and maybe the quality of the vinyl was not the best, but certainly has more of an analogue sound.  I'll play that one.
However, the recent reissue of Dire Straits on "audiophile" quality vinyl and at 45 RPM is light-years beyond my original copy (and yes, I have had that too, since it was first released).  It was remastered to perfection using the original master tapes, by the best in the business, and was plated/pressed to perfection on superior grade vinyl.  It's one of the best sounding LPs I own.
Examples abound and I could go on.  But, you should be able to get the idea from those cited above.  Again, there are many variables in making a quality sounding LP.  Given the same album, I still prefer playing from my LP collection verses any digital source material.