Magnepan, Ohm, Spatial or ??


I've heard the mag 1.7s and like the "openness" and other attributes.  However, the size and placement requirements are a killer for me.   I'm thinking Ohm and Spatial would be somewhat similar.  However, I can't demo them.  Any thoughts on these compared to the mags and any other "open" speakers I should consider?

Thanks all as usual!!


soundchasr
Post removed 
I am on the open baffle bandwagon. As mentioned by Ozzy68 they are very open. They have good texture and tone as well. I was lucky enough to land a used pair of Spatial Audio M-1 Triode masters and I am happy with them. If you are open to buying used, you may get more bang for your buck. Also, if you don't mind kits and want to get more bang for your buck you may try GR Research NX Oticas :  http://gr-research.com/obseries.aspx
Open the first link, then click on right arrow half way down on first picture to see other pics.
Although the Ohms in both those rooms are only a few feet apart, the soundstage extends wall to wall, a good 18-20’ in both cases with players very well located specifically within with most all recordings. Good mono recordings will image with a very lifelike, somewhat dimensional presentation, from dead center of the wall regardless of where along the wall the Ohms are placed. The Ohms do mono recordings better than anything in regards to a lifelike presentation. The bottom portion of my L shaped room extends about 10’ to the left of the bigger Ohms in teh first pic, the F5 series 3 (12" driver, refurbed Ohm F cabinets). The smaller are 100S3 (8" driver) in refurbed Ohm Walsh 2 cabs. Both series 3 drivers are 1 generation older than current X000 line.

I liked the Spatials very much and they made the cut  when I heard them but only a single demo in a hotel room at a show so my exposure is limited.
@rickytickytwo...   I am with you on the open baffle preference.  Ohms are actually baffle-less designs, with the "cans" sitting proud of the cabinet.  Bass frequencies fire into the top of the cabinet and fire out of a vent at the bottom above the plinth.  But most of the sound fires off the back of the cone and from the free air tweeter.