Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
frogman, Not Primary , I just meant that Schubert wrote for that instrument
in that piece and that is what is best played for that piece .Which is not to say everything he wrote should be .


I write sloppy these days.



Example , I have a Beaux Arts Trio of Op 100 and I hear the beauty of that great ensemble .When these 3 play I hear the voice of Schubert .May be just me, but there are books in German where his friends wrote
the way he spoke, which was quite unusual .
Ain’t much better than Op 120. Or him .
Every time I spin Brahms I am more in love with him .


Couldn’t agree more. Interesting, my interpretation and response to your original comment was, in a way, the opposite of what you meant. Sorry about that. Also interesting because my example, Brahms “Clarinet Sonata” No. 1 serves as a perfect example of what you meant.

Brahms dedicated his two clarinet sonatas to the great clarinetist Richard Muhlfeld who Brahms had heard and been so impressed by that he had previously written his Clarinet Trio for him. Brahms was said to have “discovered the beauty of sound of the clarinet”. When he composed those pieces Brahms expressed his voice with the sound of the clarinet in mind. As you say, what he had to say (his voice) would not have been expressed as well on any other instrument. Perfect example:

I suppose in part because relatively few major works have been composed for the viola, Brahms himself later transcribed the two sonatas with the clarinet part adapted for viola. Still beautiful music; but, I don’t hear as much of his voice when performed that way. 

https://youtu.be/Vi8q54R7ObA



Amem ,my brother from another mother.


I think I’ve read about al there is about Brahms in English .
X years ago when I was bi- lingual German / English I read the Muhlfeld Brahms arising in his own words . My hand was shaking .

I believe that for sheer intellect Brahms has no better .

From a take’s one to know one outlook , I am am positive that he simply had severe PTSD from his father sending him into cafes, aka whore houses, in the worlds largest port with a thousand of same , at barely 13 .

Clara Schumann would second it .

P.S . IMO bi-lingual is when you dream in both languages and the story remains the same .
P.PS .Exactly in the middle of the wall between my speakers hangs a  LOVELY Nonsense cover of
  Brahms Viola  Sonatas  with Michael Tree  viola and the Great Richard  Goode  piano .
 I would not sell it for a thousand  bucks .