Whats on your turntable tonight?


For me its the first or very early LP's of:
Allman Brothers - "Allman Joys" "Idyllwild South"
Santana - "Santana" 200 g reissue
Emerson Lake and Palmer - "Emerson Lake and Palmer"
and,
Beethoven - "Piano Concerto No. 4 in G Major" Rudolph Serkin/Ozawa/BSO
slipknot1
Well @big-greg,

I think recently , you posted About how hard it is to find a quiet copy?

So, how's that 4 sided pressing?
@slaw I bought it second hand and it has a little surface noise in spots, but it sounds really nice. This might end up being more of a collectible than something I'll play often. 
Guys,

I'm posting as I'm learning. Thanks for putting up with me.

I the past, I always noticed some things about my system presentation that I felt were very important. While they are, I'm fastly, in recent weeks, coming to realize there is more. 

Great transient response is really nice, but when it''s presented in a more tonal/natural/not in your face way, it takes on another meaning.

Nice tight bass response is great, but after hearing live music, that isn't really THE way I want to hear it in my space. Live low bass isn't "nice & tight". It has a deeper, meaningful, structural feeling.

These are just a few changes I'm experiencing now that really makes my system relate way more emotion. This is really drawing me in.

To be continued..............