best-sounding class D amp?


I'm not interested in starting another discussion about technology, or performance parameters. (You know who you are.)

I know that there are different brands and designs of modules used in these amps, and different implementations, with additional maker-specific circuitry around the module.

What I *am* interested in hearing about is first-hand listening impressions of the most natural, full-bodied class D amp you've heard, with a preference for those (few?) that hew to the slightly warmer rather than cooler side of neutral.

128x128twoleftears
best-sounding class D amp?

Look at PASS amps much better than classl d pass on class d maybe in 10 years it will get better.


Best one I’ve heard so far had been at our club audio meeting, the Belcanto Ref 600M monoblocks which use Hypex NC500 with I believe their own buffer, they were very good into a very high end two-way that used the top Raven ribbon tweeter "almost" livable for me.
Then we put them on a pair of B&W 803D3’s and they were not as well received, upper/mid highs were a touch hard with glare yet subdued at the same time, we concluded that the Ref600’s liked the pure resistive loading that the Raven Ribbon gave around a constant 6ohms, but not the more complex loading the B&W upper range had, because the same B&W’s sounded sweet as with a Pass Labs linear amp we also had there.

Cheers George
I haven't heard enough of class d amps to form an opinion but a friend of mind which i respect very much on the audiophile side recommeded highly Bel Canto amps .
ATI 5***. Use N-core with a proper linear power supply by a pro mfg who has been around for a while and who OEM's some very famous names.. A Theta Prometheus at a cut price
I’ve only heard NCore based amps NAD and Purifi based VTV , hey both sounded very good but in my subjective opinion I liked the Purifi based. I believe Nord, March, Apollon make these. The one I would really like to hear is the new NAD M33 based on Purifi.
Over the decades I have owned quite a few class Ds. Of late (last 3 years) I had the Emerald Physics 100.2SE monos with special fuses), Audio Alchemy DPA-1, PS Audio M700s and now a no longer made EVS 1200. All of these were used with the same power cord connecting my Core Power 1800 to a 20 amp dedicated line. About 10 days ago, I decided to replace the boutique PC ($800) with a Wire World Electra 7 ($240).


I am in the "life- like" group who prefers sharp edges when they exist on the medium, dead quiet sound stage and excellent imaging. When I switched to the WW: BAM, but it's a blessing and a curse. Why? Because it doesn't soften ALL music as does the boutique PC, and not all CDs sound natural.


I suspect the PD Asuio M1200s, which have a tube input buffer, will sound comfy


hth