@cd318
I Really do think that Classical shouldn’t be judged, in audio terms, for the reasons that both of us cite, in the same manner as other genres, excepting jazz and other acoustic instrument favoring genres such as World Music.
I find that most of the pop music I grew up with sounds worse on a high end system. Take a typical Phil Spector produced girl group song. These were recorded and mixed with the expectation that the typical listener would be enjoying this on an AM radio, in a car or elsewhere. Even played on a KMart Special as a 45 single back in the day I remember feeling they didn’t move as much as on a $5 Japanese transistor radio. Replayed back on a 5 figure system they just sound silly to me, the aural equivalent of watching kids wear their parent’s clothing. I prefer them on a $39 Bluetooth speaker.
Now, in the early sixties the head of Columbia Records got the bright idea to mix their Classical as if everyone would be listening on those same AM radios. See if you can an original lp of Bernstein/NYP Mahler 7 to illustrate this, and compare with any CD remix. The original lp sounds like the Orchestra has been crammed into a telephone booth
I Really do think that Classical shouldn’t be judged, in audio terms, for the reasons that both of us cite, in the same manner as other genres, excepting jazz and other acoustic instrument favoring genres such as World Music.
I find that most of the pop music I grew up with sounds worse on a high end system. Take a typical Phil Spector produced girl group song. These were recorded and mixed with the expectation that the typical listener would be enjoying this on an AM radio, in a car or elsewhere. Even played on a KMart Special as a 45 single back in the day I remember feeling they didn’t move as much as on a $5 Japanese transistor radio. Replayed back on a 5 figure system they just sound silly to me, the aural equivalent of watching kids wear their parent’s clothing. I prefer them on a $39 Bluetooth speaker.
Now, in the early sixties the head of Columbia Records got the bright idea to mix their Classical as if everyone would be listening on those same AM radios. See if you can an original lp of Bernstein/NYP Mahler 7 to illustrate this, and compare with any CD remix. The original lp sounds like the Orchestra has been crammed into a telephone booth