I was trying to show that 16/44 recording wouldn't be a perfect process and that's why it is done in 24/192 but downsampling to 16/44 also takes away quality.
Digital reproduction (as well as analog) have limitations. Filtering screws up transient response and 16 bit resolution is less than perfect.
Why it is difficult to hear difference thru Benchmark? Possibly because available hi-res is often poorly made (many complains about that) while our systems and rooms have shortcomings.
Power amp might be limiting factor but it isn't as bad as Irvrobinson calculated. First of all S/N or THD+N of the amp is usually shown at 1W and many amps are better than 96dB. In addition we don't listen at 1W . For instance if we take Rowland 625 amp's S/N specification of 95dB at 1W at 8 ohm it will be higher at the output power of 300W. We might look as well at residual output noise specified by Rowland that is 55uV at 20Hz-20kHz unweighted. Since output voltage at nominal power of 300W is around 50V it makes S/N=119dB. SACD reproduction is roughly equivalent to 20/96 requiring dynamic range of 120dB. D/A converters are also limited to 20 bits performance.
So to answer original question - increasing resolution might be beneficial up to about 20 bits assuming good recording/file, system and room. Increasing rate will be always beneficial to avoid serious shortcomings I mentioned before.
I settled at standard redbook reproduction not only for practical reasons but also because I cannot stand hiss and pops of analog playback that don't allow me to forget I'm not sitting "there" at the concert.
Digital reproduction (as well as analog) have limitations. Filtering screws up transient response and 16 bit resolution is less than perfect.
Why it is difficult to hear difference thru Benchmark? Possibly because available hi-res is often poorly made (many complains about that) while our systems and rooms have shortcomings.
Power amp might be limiting factor but it isn't as bad as Irvrobinson calculated. First of all S/N or THD+N of the amp is usually shown at 1W and many amps are better than 96dB. In addition we don't listen at 1W . For instance if we take Rowland 625 amp's S/N specification of 95dB at 1W at 8 ohm it will be higher at the output power of 300W. We might look as well at residual output noise specified by Rowland that is 55uV at 20Hz-20kHz unweighted. Since output voltage at nominal power of 300W is around 50V it makes S/N=119dB. SACD reproduction is roughly equivalent to 20/96 requiring dynamic range of 120dB. D/A converters are also limited to 20 bits performance.
So to answer original question - increasing resolution might be beneficial up to about 20 bits assuming good recording/file, system and room. Increasing rate will be always beneficial to avoid serious shortcomings I mentioned before.
I settled at standard redbook reproduction not only for practical reasons but also because I cannot stand hiss and pops of analog playback that don't allow me to forget I'm not sitting "there" at the concert.