And just what are those very good reasons rauliruegas.
First of all everything you have said is anecdotal. Ralph's opinion of how the Grado sounded is also anecdotal. His opinion on how a tonearm should be set up is not. Tonearms and cartridges are very simple devices. I bet even you could design a moving coil cartridge if you put your mind to it. If you want a good cartridge you have to get yourself a Jan Jallaerts MC2 Formula 1. It easily out performs any cartridge ever made but you'd better have a very quiet phono stage. I can easily make the Formula 1 sound awful. Just put it in the wrong tonearm and set it up like most casual users. I am sure the Grado sounds better in Ralph's Triplanar set up as well as I know Ralph can. From what I have read so for I would rather have Ralph set up my turntable than you.
You are always entitled to your opinions. I just wish you wouldn't try to shove them down everyone else throat's. It seems you have been a bit more forceful lately. What is stressing you out?
First of all everything you have said is anecdotal. Ralph's opinion of how the Grado sounded is also anecdotal. His opinion on how a tonearm should be set up is not. Tonearms and cartridges are very simple devices. I bet even you could design a moving coil cartridge if you put your mind to it. If you want a good cartridge you have to get yourself a Jan Jallaerts MC2 Formula 1. It easily out performs any cartridge ever made but you'd better have a very quiet phono stage. I can easily make the Formula 1 sound awful. Just put it in the wrong tonearm and set it up like most casual users. I am sure the Grado sounds better in Ralph's Triplanar set up as well as I know Ralph can. From what I have read so for I would rather have Ralph set up my turntable than you.
You are always entitled to your opinions. I just wish you wouldn't try to shove them down everyone else throat's. It seems you have been a bit more forceful lately. What is stressing you out?
