You guys are right; I apologize for my part in digressing from the real topic of the thread. To the OP, I would say that my experience over the last 10-12 years, with running up to 5 turntables using 5 different tonearms with dozens of different cartridges is that you should consider the cartridge and tonearm as a unit, a closed system. The SQ from any given cartridge, no matter how expensive or how cheap, and no matter how it transduces physical motion to an electrical signal (MM, MI, or MC), is highly dependent upon the tonearm/headshell into which it is mounted. Mating cartridges to tonearms for optimum results has in my experience been a hit or miss affair (after one has done the homework to make at least a good mating), in terms of max results, but you can get "good" results by thoughtful matching done on an empirical basis. After that, turntables each have their own character which seems to remain fairly constant regardless of the tonearm/cartridge mounted on a given one. Also, to a large degree, where a tonearm has exchangeable headshells, you can manipulate the result by experimenting with various headshells. So, I never think of the relative importance of a cartridge and a turntable per se.
Honest question about cartridge vs. turntable performance.
I’ve been a vinyl lover for a few years now and I have an ortofon black cartridge setup with an mmf 5.1 turntable with acrylic platter and speed controller. My question to all the vinyl audiophiles out there is this. How much difference does a turntable really make compared to the cartridge? Will I hear a significant difference if I upgraded my turntable and kept the same cartridge? Isn’t the cartridge 90%+ of the sound from a vinyl setup? Thank you guys in advance for an honest discussion on this topic.
- ...
- 127 posts total
- 127 posts total