Tone arm resonance and cartridge compliance: How do they interact??


I read many years ago about the importance of tonearm resonance. How does that affect sound quality, and also cartridge compliance  How do you determine tonearm /cartridge compatibility??


Thanks,

S.J.

sunnyjim

Plus, the effective mass of an arm varies depending on how far from the bearings is the counterweight. Some arms incorporate a counterweight that affords adjustable mass, the Zeta being one such.

In addition, while the arm and cartridge interaction does create a resonance, most (all?) armtubes have a resonant signature independent of that. Brooks Berdan used to (RIP) fill arm tubes with expandable foam to reduce armtube resonances, and the designer/maker of the excellent Audiomods arm installs braces inside his armtubes (just like the braces inside well-made loudspeaker enclosures) to raise the resonance in frequency.

Increasing arm mass lowers resonance frequency
@roberjerman, that's simply not true. It's a common misconception because resonance charts calculate frequency based on total arm weight. But resonance is a function of other factors besides weight; including stiffness, flexibility and damping. Putting a weight on the headshell will help to damp the headshell but not the arm tube. And weighting the headshell may actually result in worse performance. Probably not unacceptably worse but often measurable worse.

The tonearm is a level balanced on a fulcrum. If you take a counterbalanced lever of, let's say, 10 feet long, and increase the weight on both the headshell (effort arm) and the move the counterweight away from the fulcrum, will the resonance increase, stary the same or decrease (amplitude AND frequency stabilize or shift)? The correct answer is that amplitude will increase and frequency will shift. The same thing happens with a tonearm, but on a much smaller scale. 😁

br3098, You are confusing two different things.  roberjermain is correct, and I wrote the same thing, a few posts above yours.  BOTH increasing tonearm effective mass and increasing cartridge compliance will decrease the resonant frequency of the system.  If you will look at the equation, you will see that the product of the two quantities is inversely proportional to Fres.  Now, what bdp and you are talking about does not per se alter the resonant frequency, as long as you don't change effective mass and compliance. What damping and choice of materials does, if done smartly, is take the energy of the resonance that will occur at the calculated frequency and spread out or broaden the resonant peak, the range of frequencies at which the energy of resonance is dissipated, which is usually a good thing that can mitigate an otherwise bad pairing of cartridge and tonearm.  And yes, the (distance from the pivot to the center of mass of the CW)-squared times the mass of the CW, adds to effective mass.  That's why, if you want to minimize effective mass, you want a heavy CW that can be moved as close as possible to the pivot. (Because the em will vary as the distance-squared but only in direct proportion to CW mass.)
The beauty of the adjustable-mass counterweight of the Zeta arm (accomplished via removable steel discs in the hollow counterweight) is that if one wants to use the arm in it's lowest effective mass guise, more discs are placed in the counterweight and that cw is placed as close as possible to the arm's bearings. For higher em, fewer discs and the cw further away. Counter-intuitive, but true.
My Triplanar and I suppose several other tonearms achieve the same end by supplying a set of CWs that vary in mass. You can slide them on or off the rear end of the arm. Further the Triplanar CW is physically decoupled from the pivot by a nonrigid damped joint.