Found time to listen to Norah Jones, Day Breaks, double LP
https://www.discogs.com/Norah-Jones-Day-Breaks/release/11061238
1st disc, Studio; 2nd LP live small Loretto theater NYC, 4 years ago. (I’ve never been there, but looks like a terrific size. I’d try balcony, front and center
https://www.sheencenter.org/venues/
like the similarly sized Victoria Theater at NJPAC., grear sound and sight for photographs.
https://www.njpac.org/visit/our-spaces/
As they said, return to her roots, piano based low key jazz, her beautiful voice and unique touch on the keys.
I definitely preferred the Live disc, very respectful crowd, but, I realized, it was too bunched up, I widened my toe-in, that gave a very nice distinction of separate instruments and their locations, like a small stage.
I’m going to go back to the 1st studio LP, see how things change with wider toe-in.
Previously, a different LP, I needed to adjust them ’in’ for a recording that was un-naturally wide.
Speakers on wheels to the rescue, combined with remote balance, can make big differences.
I often adjust my single listening default toe-in for a wider center when I have a friend over for a listening session, if 3 people, I sit just behind them, centered.
I’m gonna play with toe-in when the center is correct, but all bunched up.
You gotta avoid creating the world’s widest piano, that sucks.
https://www.discogs.com/Norah-Jones-Day-Breaks/release/11061238
1st disc, Studio; 2nd LP live small Loretto theater NYC, 4 years ago. (I’ve never been there, but looks like a terrific size. I’d try balcony, front and center
https://www.sheencenter.org/venues/
like the similarly sized Victoria Theater at NJPAC., grear sound and sight for photographs.
https://www.njpac.org/visit/our-spaces/
As they said, return to her roots, piano based low key jazz, her beautiful voice and unique touch on the keys.
I definitely preferred the Live disc, very respectful crowd, but, I realized, it was too bunched up, I widened my toe-in, that gave a very nice distinction of separate instruments and their locations, like a small stage.
I’m going to go back to the 1st studio LP, see how things change with wider toe-in.
Previously, a different LP, I needed to adjust them ’in’ for a recording that was un-naturally wide.
Speakers on wheels to the rescue, combined with remote balance, can make big differences.
I often adjust my single listening default toe-in for a wider center when I have a friend over for a listening session, if 3 people, I sit just behind them, centered.
I’m gonna play with toe-in when the center is correct, but all bunched up.
You gotta avoid creating the world’s widest piano, that sucks.