UPDATE : Upgrading to 18 " Golden Strings" :)
I add an entire new row of 8 lava beads strings directly over my head at 2 feet from the first original row...
That was a very good idea.... The imaging is improved and now for the first time i listen to my brass ensemble for the first time, really, even if i had listen to it for the last 7 years....
How to hear the notes and the encompassing, interprenetrating radiant and agleam halos of the different brass instrument including tubas, trumpets and trombones, without loosing nor the notes neither the interprenetrating halos in a room where one of the speakers is almost on the wall and in a corner?
My soundstage is of the dimension of the room and equal out of each speakers, despite their dissymetric positioning.... :)
The speakers/ room equation, and the electrical embedding are keys....My music is no more handicapped by speakers location....
ACTIVE room controls is the way to speakers audio.... Passive treatment, except for an entirely engineered perfect room, will not do enough for compensating the room topology and the speakers locations....
I never even read information about active controls in audio thread, except active controls with electronic components...My active controls are resonators of different kind linked together with no electronic components except the Schumann generators grid...
My best....
I add an entire new row of 8 lava beads strings directly over my head at 2 feet from the first original row...
That was a very good idea.... The imaging is improved and now for the first time i listen to my brass ensemble for the first time, really, even if i had listen to it for the last 7 years....
How to hear the notes and the encompassing, interprenetrating radiant and agleam halos of the different brass instrument including tubas, trumpets and trombones, without loosing nor the notes neither the interprenetrating halos in a room where one of the speakers is almost on the wall and in a corner?
My soundstage is of the dimension of the room and equal out of each speakers, despite their dissymetric positioning.... :)
The speakers/ room equation, and the electrical embedding are keys....My music is no more handicapped by speakers location....
ACTIVE room controls is the way to speakers audio.... Passive treatment, except for an entirely engineered perfect room, will not do enough for compensating the room topology and the speakers locations....
I never even read information about active controls in audio thread, except active controls with electronic components...My active controls are resonators of different kind linked together with no electronic components except the Schumann generators grid...
My best....
