Classical Music for Aficionados


I would like to start a thread, similar to Orpheus’ jazz site, for lovers of classical music.
I will list some of my favorite recordings, CDs as well as LP’s. While good sound is not a prime requisite, it will be a consideration.
  Classical music lovers please feel free to add to my lists.
Discussion of musical and recording issues will be welcome.

I’ll start with a list of CDs.  Records to follow in a later post.

Berlioz: Symphonie Fantastique.  Chesky  — Royal Phil. Orch.  Freccia, conductor.
Mahler:  Des Knaben Wunderhorn.  Vanguard Classics — Vienna Festival Orch. Prohaska, conductor.
Prokofiev:  Scythian Suite et. al.  DG  — Chicago Symphony  Abbado, conductor.
Brahms: Symphony #1.  Chesky — London Symph. Orch.  Horenstein, conductor.
Stravinsky: L’Histoire du Soldat. HDTT — Ars Nova.  Mandell, conductor.
Rachmaninoff: Symphonic Dances. Analogue Productions. — Dallas Symph Orch. Johanos, cond.
Respighi: Roman Festivals et. al. Chesky — Royal Phil. Orch. Freccia, conductor.

All of the above happen to be great sounding recordings, but, as I said, sonics is not a prerequisite.


128x128rvpiano
I just saw a dynamite performance of Rachmaninoff's Second Piano Concerto on YouTube. Andre Watts piano. Zubin Mehta and the New York Phil. A true treat.
Lang Lang has just released a new recording of Bach’s Goldberg Variations, available on Idagio.  Unexpectedly, it’s not bad. Each variation is repeated imaginatively different the second time around.  The ornamentation is original  and well integrated into the melodic line.  The tone is lovely and the performance does “swing.”  Of course, there is stiff competition in this work, but Lang Lang very well holds his own.
That takes me back to a concert I heard in Brasenose College chapel, when Emma and Hoggers were still an item and relatively known.
RV   I'm very sorry and I am upset that I have to disagree with you but I did not like Lang Lang's Goldbergs at all. I found that the opening aria was so slow it was like a dirge. That said though I have to agree that some of the variations were very good on the ear but I'm afraid the aria is the acid test for me and if too fast or too slow the rest of the piece suffers to me. The Goldbergs to me are so great that it takes a very brave musician to tackle them and it doesn't matter to me as you go further in that if you blow it at the start the piece remains lost. I do very much like Lang Lang in some pieces by Schumann and his favourite Liszt but I don't think you would like to hear them. He certainly has the fingers for Liszt.