the sound of massed violins in classical orchestral recordings


why do massed violins have this sort of gritty sandpapery reverberation in classical orchestral recordings?even in some sections of a piece, when the violins are playing softly in the background, you hear that gritty overtone more than the melody.when I listen to the Houston symphony in Jones Hall,sitting fourth row, facing the violin section, I don't hear that sound.I have three systems { two of them mid-fi ] and I hear the same thing-even with headphones.in all instances, the other parts of the orchestra are clear.  my main system : Vanalistine Trancendence 10 tube preamp,a 35 year old solid state Proton D1200 amp, [have tried NAD,Project, Musical Fidelity amps--they don't sound any better],Onkyo dx7555 CD player [Stereophile class B],and Project Carbon turntable with Grado Black 2 cartridge [ the Ortophon Red was too bright ] through Magnepan MG12/QR speakers.Tried a highly regarded Elac speaker--no change as far as the violins go, but way inferior to those dramatic Maggies.So, there you have it. Is it the equipment? Is the state of the art not up to recording violins? Is it me? [its o.k.-I can take it}. In closing,a couple of years ago,I had phone conversation with a well known person associated with a major speaker company about this. His response :[ paraphrased ] Violins are a problem--don't like 'em.  Any input will be appreciated. Thanks.
6119
Threads?
Wrong
Hard to reproduce?
Wrong
Sit in the middle of a live unamplified string section and you will hear the same.
If you don't like it stick to winds, horns and percussion.
OR believe those who claim to tame without divulging any specifics.
OR believe those who claim to tame without divulging any specifics.
my thread journey has 20 pages...Specifics and idea are there, peanuts costs....

The specifics are simple to formulate:

mechanical embeddings, electrical grid noise floor, and acoustical controls....

But there is NO single ready made product that solve all 3 embeddings problems....Not even a good dac.... Sorry....

And upgrading from a low cost audio system to a very costly one is NOT the solution either for most of us anyway....And any system at any price need to be rightfully embed....
Like I said, I have great recordings of massed strings and ones that I will not listen to.  So I don't think the problem is my CD player, amp, or other nasties on the grid.  The primary determinate for violin, piano, or any other instrument is the recording itself.

But I do understand what the OP is wondering about. I think it is far easier to produce a great guitar recording that one with massed strings.
6119, thanks for your follow up.  Do you have any analog recordings on LP; would appreciate knowing your reactions to string sound on a good LP recorded in analog.  Thanks.
pwerahera:If you google PROTON D1200, you will see that it can deliver several hundred watts per channel. there is a tube demo showing how much power it is capable of.