Proud Harbeth p3esr owner - need help tweaking/troubleshooting


Due to the pandemic I catch myself spending more time in my outdoor office space - small 14.5x7.5 feet room with glass windows on two adjacent walls - where the speaker are. It's got wood floors and a 7.5 feet ceiling. The other half has a large desk and a bookshelf. Since it's my private space I have decided to build 'my dream' audio system - different from my main listening room/home theater. I listen to all genres of music from 80's and 90's pop, Folk, Jazz, Electronic, Classic Rock and Latin. No hard Rock or headbangers music.

In my mid-40's and enjoying the audio hobby for decades now, I like my music warm, with non-fatigue listening for hours, where frequency tones are balanced, yet detailed without the grain and glare of vocal peaks or highs, yet presenting instrument separation. I want to enjoy the music. I took the leap, and purchased a pair of Harbeth p3esr. Also, purchased Croft Phone Integrated amplifier to pair with the speakers. Had a Metrum Onyx DAC at home already hooked to my Roon core. Using Morrow Audio MA1 RCA interconnects that were laying around, with Belden speaker wires also on hand. Speakers are on heavy 26 inch stands.

I have around 60 hours on the Croft integrated and Harbeth p3esr so far, but have not found the audio nirvana moment yet. I find the music at times (on certain songs) harsh. It's usually when multiple instruments are played together with sharp pitched vocals. Don't get me wrong - Emma Guzman - Woman the instrument separation and vocals are dreamy, The Game of Love by Daft Punk, the robotic vocals are life like with emotions - but 40 seconds into Wrong Girl by Lindsay Ell and you'll hear her vocals peak and want to run to lower the Croft integrated manual volume knob towards to noon mark (starting point). 

Speaking of which, the Croft Phono Integrated, being a superb hybrid amp, has a lot of gain and is immediate sounding. At 1 o'clock position (noon being the starting point), the sound is comfortable listening at 70db. Turning the volume knob to 2 o'clock it's gets loud to 80db + and 3 o'clock is where you want to turn it down. Never distortion - but enough sweetness and finesse to drive the p3. Loud for the room. 

Metrum DAC has a more or less standard line output level of 2V, and the Croft amp has a relatively sensitive input sensitivity of 250mV. An amp of this sensitivity runs the risk of clipping the voltage waveform before the power stage. Maybe alternative amps have a more relaxed gain structure at the input, sensitive to about a whole Volt. The reason why I am rushing for the volume control as the peas get harsh.

How do I make the famous Harbeth p3esr to sing and show it's true colors of warmth, composure, mature sound, astonishing vocal coming from the diaphragm and the details that it's famous for? How do I listen to hours of different genre music without the need to turn the volume low or move my head up to look at the speakers? Is it the high gain/sensitive Croft Integrated amp or is it the bright Morrow Audio RCA interconnect or maybe the speaker wires? Or maybe the whole set up is a dream and an overkill for the room.

Any feedback by the brilliant minds on this forum with years of experience would be greatly appreciated. With warm regards,

128x128ghulamr
@ghualmr  I had no idea you needed 30' of wire!  It would set you back a lot more than $2700.  Not a good idea.  I agree with JJSS49.  If you like the Harbeth sound, I would move to a larger model if you have the room for it.  
I can't imagine the P3ESR sounding bright even if you use the brightest amp on it. It's inherently a smooth sounding speaker. Something doesn't sound quite right.
@ghulamr
I have owned many Harbeths including the M30.1, C7 and the P3. The P3 is my favorite Harbeth. It might be that the Harbeth is not your cup of tea. I have listened to many speakers that people rave about that would drive me out of the room. We all have different tastes and Harbeth might not be to your liking.
This guy gives a good review about the P3ESR and I agree with what he has to say!
https://www.youtube.com/watch?v=mqFIaiPT_kY
This guy too!
https://www.bing.com/videos/search?q=harbeth+p3esr+review&view=detail&mid=5D7EB69CCEBBAAE793AF5D7EB69CCEBBAAE793AF&FORM=VIRE&PC=HCTS&cc=US&setlang=en-US&PC=HCTS&cvid=88b5ba828ec7481fa9ffd8b092f4a1a5&qs=AS&nclid=A8A7BDA2D65AC9A87AF501803D8C9E24&ts=1602158315730
ghulamr,
congrats on a quality system for your home office rig.
there are many factors at play here but i believe you can work with what you have.
1. speaker position. they need to be positioned away from walls and glass by 2 feet minimum, 3 feet is better. make sure they are toed in to be slightly off axis according to the manual. this will minimize any room reflective interactions.
2. break in, amp and speakers. 60 hrs is nothing for speakers, tubes and amp. each will need a few hundred hours to mature and mellow out. play your system as much as possible and re- evaluate after a month or so.
3. cables. i am not a fan of your interconnects or speaker cable and they are definitely contributors to your issues.
for interconnects try vanden hul the name, chord c line or wireworld luna. i prefer the vdh cables for being smooth yet detailed. the chords are smoother but lose too much detail. the wireworld are in between.
for good inexpensive speaker cable try kimber 8pr.
summary-
optimize positioning
burn in / break in
cables
good luck!
If you only have 60 hours on the Croft, it could probably use some more playing time.  From what I've heard, mosfet output stages need some time to burn in and relax.  Also, you might swap out the stock tubes for something warmer, like new production Mullards.  I've had both the Croft and the P3s, thought not at the same time, and I think they would be a good combination.  

Good luck!
Scott