You know, you don't need DSP per se for this. The Schiit Loki would probably work for you too, without an A/D , D/A conversion step.
Proper room treatment though is always good.
Proper room treatment though is always good.
You need to see my other discussions for my complete set up - I've been through all the alternatives... and... have found the solutions. At this point, I'm just wanting to know the best DSPs to resolve bass bloat (which is primarily the result of room issues and secondarily related to the more limited control by tube amps).... |
I do have DSPeaker Antimode 2.0, which I’m going to try... but... thought there may be others, which may do a better job. And... I have no interest in any DSP which provides a DAC and preamp, as the DSPeaker does - I need neither of those. And I have no interest in room treatments. All I need is a DSP with balanced XLR connections. |
which is primarily the result of room issues and secondarily related to the more limited control by tube ampsWhen you have bass problems in a room, the number one reason is standing waves. These cannot be controlled by DSP or room treatment. The problem is that the room has a dimension and bass waves will reinforce at certain frequencies and cancel in others. So unless your bass traps are actively able to move about the room as the bass notes change they will have little effect. DSP doesn’t work because it tries to make your amplifier put out more power at one frequency and less at another. But when you are dealing with a standing wave you might be able to kill a bit of bass bloat at one frequency but you can put as much power as you want into the bass nulls and the waveforms will still cancel. So its only slightly more effect than bass traps. If you really want to deal with this problem, the elegant way to do it is to use a distributed bass array which can break up standing waves, resulting in evenly distributed bass throughout the room. Do do this, you take advantage of the simple fact that below about 80Hz in all but the largest rooms, the ear cannot detect where the bass is coming from so you can run the bass in mono. But it is important that the subs do not reproduce anything above 80Hz; in this way they will not attract attention to themselves. You’ll need at least four subs to do this right. They need to be asymmetrically placed in the room and therefore do not have to be aligned with your Harbeths. One sub system called the Swarm (www.audiokinesis.com) is also the most well-known sub designed for this purpose. To minimize their size they are designed go directly against the wall and take advantage of the room boundary effect, to go flat to 20Hz. You might want to check into this; if your tube is a typical push-pull amp with some power to drive Harbeths, the bass bloat likely has nothing to do with the amp. |