This is crazy broad strokes, but there's a progression audiophiles tend to go through en route to becoming a good listener/evaluator.
We start off being able to notice tone, frequency, and volume. When you hear people talk about cables being tone controls, this is where its coming from. You can tell the level of the audiophile by the language used.
Next they start to notice things like dynamics, and that there's a sound stage. Dynamics is harder to differentiate than you might think, because there's things like bass extension and hyped treble can trick you into thinking its more dynamic. Also there's the obvious body slam impact aspect of dynamics, and then there's micro-dynamics, the subtle quiver or tremolo of a voice or string or whatever that triggers that hair on the back of the neck "this is real" kind of feeling.
Usually most audiophiles up to this point are pretty well convinced of the need to have certain "reference tracks" they play at "reference volume" on something called a "reference system." They need to keep it simple because they haven't yet learned to differentiate, let alone mentally correct for, the effects of these things.
For sure this is triggering some "aha" moments and recognition of a lot of what goes on around here.
This is about where most stop, and its understandable, because its tough. The scope of what we're hearing expands into hard to describe things like timbre, attack and decay, air (most everyone blows this one), and the list goes on and on.
Practice makes perfect. Here's another one
https://www.youtube.com/watch?v=AWp48WzlkMoThere's a whole bunch of them on this channel. They're great because even though the records change there's a bunch with the same table, cart and phono stage, and even DAC, and when these things change he lets you know.
Keep in mind at this stage of the game you're simply trying to notice the similarities. You're not trying to figure out what these things sound like in any kind of absolute sense. What they would sound like in your system. Forget that. Just listen and try and get a handle on what's the same. Patience helps. I probably listened to that Christopher Cross a dozen times now.