Short on time so apology for the short response....for now (Alex). Re players’ tones and descriptions of them, something to keep in mind that may help.
It is impossible to separate tone and its description from how the player initiates the note (the attack) of the note and the inflections of the tone that the player uses. A fascinating study was done of players’ tones which demonstrated that if several players with very different tones are recorded playing one note and sustaining it, if the the initial attack and end of the sustained note are edited out the different players’ tones become almost indistinguishable from each other.
Eddie Lockjaw plays with an extremely inflected tone.
It is impossible to separate tone and its description from how the player initiates the note (the attack) of the note and the inflections of the tone that the player uses. A fascinating study was done of players’ tones which demonstrated that if several players with very different tones are recorded playing one note and sustaining it, if the the initial attack and end of the sustained note are edited out the different players’ tones become almost indistinguishable from each other.
Eddie Lockjaw plays with an extremely inflected tone.