@frogman
Your Cliff Notes version of that study is a great explanation for the difference between "thick" and "husky." The player's initial attack on blowing each note does seem to be the difference between a raspy "edge" and a smooth, rich "thick" tone.
Can "husky" be extended beyond the initial attack and maintained through the entire note? I doubt it, but I need to listen more to focus on that. Seems we always learn that we have much more to learn.
Your Cliff Notes version of that study is a great explanation for the difference between "thick" and "husky." The player's initial attack on blowing each note does seem to be the difference between a raspy "edge" and a smooth, rich "thick" tone.
Can "husky" be extended beyond the initial attack and maintained through the entire note? I doubt it, but I need to listen more to focus on that. Seems we always learn that we have much more to learn.