Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
@orpheus10 

<<It stands to reason that some of those rhythms and dances no longer exist on the continent of Africa, but only exist in this hemisphere because the entire village was transported over here on a slave ship>>

This is more reasonable than your previous blanket statement that raised so many hackles: "the musical soul of Sub Sahara Africa sailed away on a slave ship."

That musical soul is still there - it is featured weekly on WPFW in DC.  You're imagining that village-based musical cultures were wiped out and that nothing was left of West African music.  But that "musical soul" was deeply ingrained across that entire swath of the continent.  Sure, individual villages were decimated, but the centuries-old musical culture survived.
Somethin’ Else, led by Cannonball Adderley with a rare appearance of Miles Davis as payback for Adderley’s turn on Kind of Blue.  Autumn Leaves, the first track, is alone worth the price of admission but there is so much more.  Yes, and the rhythm section is Hank Jones, Philly Joe Jones and Art Blakey.