Hi Ledoux1238 and dover
When i bought the Verdier it came complete with GT's modifications so i was unable to compare it with a standard Verdier. However, I did add another GT Verdier with the MDF plinth and the difference was noticable. Precision and detail and impact ,especially on good piano recordings. The motor and battery supply dropped the noise floor with an increase in detail and attack. So, to answer your question, then yes the Granito resin particulate plinth is significantly better than the MDF.
The ebony feet that i had made replaced the pneumatic feet completely. They had a stepped profile to fit the recess in the plinth.
The use of the Townshend pods is a fairly recent addition. Initiated by a discussion with graham tricker who had used a Townshend platform under all his equipment, including his TW TT. He had made thicker plates for the tops of the platforms. We spent some time comparing the diference with and without the platforms. As I had Symposium Ultra platforms unde all my equipment I just went and bought the appropriate pods. The effect in my system was immediate, with a perception of space and depth to the music. Probably due to the increased isolation and by placing the constrained damping below the platform rather than under the TT plinth.
I probably agree with most of dover's points, but as I bought my Verdier with most of the potential downsides of the Verdier addressed then there was little for me to 'put right'.
The comment about the bearing is an interesting one. I would agree with the pont made and that the Callas mod kit recognises this (I actually have the kit but not installed). JC Verdier designed his bearing intentionally with larger tollerances than you would expect.He used a specific oil and used it to incorporate a braking effect on the platter. He could certainly have done it differently if he wanted to. Also the original design did not include the steel ball at the top of the bearing on whch the platter can rest. The ball does a couple of things; provides a ground path for vibrationy/energy transfer and makes settling the platter easier. And, yes, by varying the weight of the platter on the ball it does have an impact on the lower frequencies of the misic.
I think that the verdier is capable of great things; in particular it can be an extremely neutral transducer. It neither adds nor subtracts information. Very few TT do that. Having lived with a Goldmund Reference, Rockport, Garard 301, Well tempered Signature and Simon York S7 in the past I am now happy to live with what i have got.
so happy listening to everyone
When i bought the Verdier it came complete with GT's modifications so i was unable to compare it with a standard Verdier. However, I did add another GT Verdier with the MDF plinth and the difference was noticable. Precision and detail and impact ,especially on good piano recordings. The motor and battery supply dropped the noise floor with an increase in detail and attack. So, to answer your question, then yes the Granito resin particulate plinth is significantly better than the MDF.
The ebony feet that i had made replaced the pneumatic feet completely. They had a stepped profile to fit the recess in the plinth.
The use of the Townshend pods is a fairly recent addition. Initiated by a discussion with graham tricker who had used a Townshend platform under all his equipment, including his TW TT. He had made thicker plates for the tops of the platforms. We spent some time comparing the diference with and without the platforms. As I had Symposium Ultra platforms unde all my equipment I just went and bought the appropriate pods. The effect in my system was immediate, with a perception of space and depth to the music. Probably due to the increased isolation and by placing the constrained damping below the platform rather than under the TT plinth.
I probably agree with most of dover's points, but as I bought my Verdier with most of the potential downsides of the Verdier addressed then there was little for me to 'put right'.
The comment about the bearing is an interesting one. I would agree with the pont made and that the Callas mod kit recognises this (I actually have the kit but not installed). JC Verdier designed his bearing intentionally with larger tollerances than you would expect.He used a specific oil and used it to incorporate a braking effect on the platter. He could certainly have done it differently if he wanted to. Also the original design did not include the steel ball at the top of the bearing on whch the platter can rest. The ball does a couple of things; provides a ground path for vibrationy/energy transfer and makes settling the platter easier. And, yes, by varying the weight of the platter on the ball it does have an impact on the lower frequencies of the misic.
I think that the verdier is capable of great things; in particular it can be an extremely neutral transducer. It neither adds nor subtracts information. Very few TT do that. Having lived with a Goldmund Reference, Rockport, Garard 301, Well tempered Signature and Simon York S7 in the past I am now happy to live with what i have got.
so happy listening to everyone