'80s vinyl sound like CDs?

Hey Matt,

I have heard good things about Nordost, but the Baldur cable that I tried, while more open and slightly less congested in the mids, didn't have the attack, inner detail, or bass, of my old Krell Cogelco Black. I considered them comparable, but not what I thought was accurate. They were colored in their own way, with a slight nod to leanness. I realize that this is just one cable, and it and the Krell did sound much better than the Transparent Super, but I haven't compared it to a Transparent Ultra yet, which I hope to do soon.
Maybe I can get a chance to try the Morrow sometime.

Thanks and good listening,
Mike

Mike, I concur with your experiences with Nordost, having owned the Valhalla and Heimdall cables and Valhalla and Brahma cords. They are definitely not neutral, though folks who do not know the true meaning of the word neutral insist that they are. To me, neutral means natural sounding, with the tone neither being rolled off, warm and fuzzy, nor artificially highlighting the upper frequencies to try to spotlight more detail, as the Nordost cables do. I have heard Nordost cables work well with some darker sounding gear/rooms, just as I have heard Kubala Sosna and Cardas cables work well with some brighter sounding gear/rooms.

All cables sound like something, unless they are not plugged in. Now folks with a darker system/room may think that brighter cables sound like nothing, just as folks with a brighter system/room may feel that darker cables sound like nothing. The key is simply to balance the music in the room to your taste, regardless of how this is accomplished. Some may prefer to spend their money on the room itself, others the speakers or gear, and others yet will spend it on cables and cords. Whatever the path, the ultimate goal is the same for all of us, to balance the sound of our system to fit our own personal musical tastes.

I don't want us to get off topic, but well said Jmcgrogan2. I've come to consider cables as a component themselves, with pluses and minuses just like any component. The trick is balancing everything in the system to get proper neutral natural sound.

Good listening,
Mike

Actually...the Soundstream digital system that Telarc adopted in the late 70 s had a sampling rate of 50khz...still ahead of current CD resolution...so the technology was always there...even years ago...there were plain bad sounding analogue lps in the 80s...gated drums, cheesy synths, etc. Digital seems like a convenient escape goat, but look at the era...im
I'm more concerned with who produced an lp than the technology.