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Ampeg Reverberocket 212 Reissue or Fender Hot Rod Deluxe?

I am in search for a used tube amp and I am between these 2. I will probably will not have the ability to try them out or compare them by myself so I thought to try here and see if anyone had any experience with these two.

Hot rod will probably be version III though if i could find the IV for a reasonable price I would buy it instantly.

Price for each is around 400 to 500 euros.

Just curious to see to which one you would give the edge and why.

Thanks.

daryldixon
wolf_garcia
6,734 posts
 
I was playing in a club a couple of years ago with my Reverend Goblin 15 watt 1X10...a really small amp, but loud enough to absolutely tear up a small room, and since it's an open backed design it spreads sound everywhere. I recently mixed a show for the brilliant John Pizzarelli and he used my amp (miked) and it sat on the floor behind and to his right just sounding amazing. He loved the thing.
bdp24's avatar
bdp24
9,966 posts
 

When I saw Little Village live, Ry Cooder had a whole stack of about 7-8 vintage combo amps---Fenders, a Gibson, a Silvertone I believe, all mic’ed up. Best live guitar tone I’ve ever heard, and his playing was pretty good too ;-) The most interesting amp I ever accompanied was the legendary Magnetone, used by some of the Blues players in the 50's and 60's, and by Jimmy Vaughan I’ve been told.

roberjerman
4,319 posts
 
I had a 1966 Ampeg Reverbrocket with just one 12" CTS speaker. It had a pair of 7591's PP for 30 watts. Loud but manageable! 
tablejockey
3,956 posts
 
Geek out on Fenderforum.com.

HR Deluxe is a cool amp.

65 Deluxe Reverb reissue here. It has been dropped, drinks spilled on it, the tolex is ripped, but it CRANKS! 22 watts with no headroom problem with a ham fisted drummer.

Probably just in my head, but a genuine tubed reverb circuit just sounds right compared to what the HR Deluxe units have-SS.     

It's the player, not the gear. But when get a sound you like, you play more.
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