Streaming Royalties is a Disaster for any body involved in producing the material to be distributed.
Song Writers, Musicians, Singers, Bands, Orchestra's, etc, receive a pittance from Streaming Royalties.
There are Campaigns now being brought by Artists to High Light the situation in many Countries.
An example recently read in one of the reports belonging to the Campaigns, is by a Song Writer who received a £160/ $120 for a Song that received Multiple Millions of Streaming Downloads and You Tube Plays.
I am sure this Song Writer would much prefer the Royalty received on
10 000 Hard Media Sales.
The Individuals producing the Music are now returning to using
Hard Media as their Merchandise, and Vinyl is becoming their go to Product.
There are reports of extremely successful Artists refusing to allow their New Released Material be used for Streaming until a 100 000 Hard Media Sales has been recorded.
When I become aware of this present marketing imbalance caused by how Streaming Revenues are Distributed between Copyright Holder and Streaming Services, I chose to purchase more Vinyl from Modern Artists to help with their becoming established and New Vinyl Material from more established Artists.
If Hard Media Sales are not supported, it will only be Live Performances that help with revenue remuneration for the Artists, and in a year like the one nearly passed, this is a no go to achieve the 200ish Performances required by a Upcoming Artist to produce a Living.
There is a lot of info available on this Subject, and from my end I took the information on board and took a action as a support.
Song Writers, Musicians, Singers, Bands, Orchestra's, etc, receive a pittance from Streaming Royalties.
There are Campaigns now being brought by Artists to High Light the situation in many Countries.
An example recently read in one of the reports belonging to the Campaigns, is by a Song Writer who received a £160/ $120 for a Song that received Multiple Millions of Streaming Downloads and You Tube Plays.
I am sure this Song Writer would much prefer the Royalty received on
10 000 Hard Media Sales.
The Individuals producing the Music are now returning to using
Hard Media as their Merchandise, and Vinyl is becoming their go to Product.
There are reports of extremely successful Artists refusing to allow their New Released Material be used for Streaming until a 100 000 Hard Media Sales has been recorded.
When I become aware of this present marketing imbalance caused by how Streaming Revenues are Distributed between Copyright Holder and Streaming Services, I chose to purchase more Vinyl from Modern Artists to help with their becoming established and New Vinyl Material from more established Artists.
If Hard Media Sales are not supported, it will only be Live Performances that help with revenue remuneration for the Artists, and in a year like the one nearly passed, this is a no go to achieve the 200ish Performances required by a Upcoming Artist to produce a Living.
There is a lot of info available on this Subject, and from my end I took the information on board and took a action as a support.