Arcam, Musical Fidelity questions...

I heard the A5 out of the box and although it was very impressive I didn't have one of those out of body experiences. However a few weeks later after is had 200+ hours on it, it was the best I have ever heard. I would seriously audition it and and definitely make sure it has had proper break in time. It out "analogued" my resident Lector CDP 7T

This information may assist you in choosing between different Arcam products. Arcam has either stated or suggested that technological advance is the reason for the ring dac used in the FMJ 23 not being continued in the FMJ 33 and FMJ 36. I know I’ve read at least one magazine review where that view was stated as the company’s explanation. However, I’ve read elsewhere (sorry, can’t recall where) that the ring dac was abandoned because of its high fail rate in manufacture, which added to its cost and constrained supply. Of course, if the latter explanation is true, it has no bearing on YOUR choice of Arcam player. As a personal observation, the FMJ 33 was being designed and coming to market just when the impact of cheaper Chinese manufactured components was beginning to be felt, so European and North American manufacturers like Arcam were becoming ever more conscious of cost.

You probably already know from your own research that the ring dac was designed by dCS, the maker of the very highly regarded and expensive Verdi/Purcell/Elgar “stack” of digital front-end components.

The following two points should have been included in my original post:

1. It’s perfectly possible that dac design has advanced in the time since the FMJ 23 was introduced, so that the ring dac has been equaled or surpassed by the dacs in the FMJ 36. It’s also possible that other aspects of the design/parts of the FJM 23 have been improved on.

2. The only way to resolve the ring dac/FJM 23 issue is a side-by-side comparison of the FMJ 23 with the FMJ 33 or 36. Personally, I’d love to hear a shootout between all three. At 1/3 the cost of a new 36, the used 23 is certainly cheap. If you believe that you won’t give up much with the 23, I’d buy and use it while seeing where digital front end audio goes. It’s a truism that digital is the area of audio that is evolving fastest and has the greatest obsolescence.

I agree with your premise, the CD23 is the best value of the bunch. It's a tough call between which sounds better, the 23 or 33. I preferred the 23 by a small margin, due to its smoothness. The 33 is a little more forward, which some of my friends prefer.

I've listened to the 23 headsup against an A5 and preferred the 23. The overrall soundstage was wider and deeper, and there was better bass response.

I agree with the above poster, the Ayre CX-7 outdoes them all. But the main advantage is only if you're running balanced. If you're running single-ended, I'd say it's 5% or so better than the 23. If it's balanced, it's more like 15-20%. I switched from the 23 to the Ayre because I got a balanced amp, but I thoroughly enjoyed my time with the 23.

The FMJ CD23 uses completely different DACs and design than the FMJ CD33 and FMJ CD36. So using a 23 to compare the 33 or 36 to anything else is not going to be helpful. The 23 uses the ring DAC designed by dCS. Some people think it sounds better than the wolfson DACS used in the 33 and 36. I have listened to both the 33 and 23, and I liked the 23 better, but i still didn't prefer it to the Meridian G08 I also auditioned, but this is another price range. I found the 33 lacked the ability to provide cohesiveness to the musical elements in recordings. The 23 had a problem with timing, which I noticed while auditoning it with one album I listen to a lot.