Speaker upgrade for classical music


Hi, I need recommendations for a speaker upgrade. I’m a classical violinist and listen almost exclusively to classical, opera and jazz. No movies, Atmos, etc.  I have a 17x14 listening room (doubles as practice room) with acoustical treatments (phase coherent diffusers at main reflection points and regular ones elsewhere).
Half my listening is in stereo and half in multi-channel (4.0 and 5.1).   All my recordings are either CDs or high-res—DSD and FLAC—audio files. I don’t have a turntable. 

My current system: Marantz SR 8012 amp, Yamaha S1000 CD transport, Exasound e38 DAC and Sigma streamer (connected to the Marantz with analog 5.0 inputs). Speakers: Polk Rti A7 stereo, CSi A6 center, Rti A3 surround, and dual REL T/7i subs. 
What I want: speakers with improved musical detail and clarity that really reproduces the expansiveness of the symphony hall or church. I like a warmer sound than a drier one.  What’s most important to me is to hear what the recording engineer heard. Budget: say 8k or less.

Recommendations?  One other thing: Can I try them out?  And how?  I’m in Santa Fe, not a huge metropolis with lots of audiophile shops. 
Thanks very much. 
ssmaudio
I listen to a lot of classical music, used to play a few instruments, and we try to see a few live performances (both amplified and unamplified) a year although that's obviously been on hold for a while now.

Personally I would recommend auditioning Magico, Vivid Audio, or YG Acoustics however only Magico and Vivid have speakers in your budget when purchased new and they're the bookshelf speakers. A used pair might be an option for one of their floorstanding models.

When I want to hear everything as realistically as possible, with all the detail and clarity, I listen to the Magico M2 speakers with the Devialet Expert 440 Pro all-in-one electronics. This combination will not sound warm, but you could add some warmth using the Devialet Sweet Room PEQ.

I agree with 4vintplay that the Acoustic Zen speakers would also be a good option. While not providing the transparency of Magico, Vivid, or YG, in my opinion they will outperform many other speakers at similar price points and provide a warm, realistic sound that many musicians would like.

On the other hand, if you want to hear what the recording engineer heard, you might want to look at ATC speakers and Bryston electronics. Or the Trinnov Amethsyt / ST2-HiFi. And maybe a DAC with a pro-audio lineage like RME, Prism Sound, Antelope Audio, etc.
After reading all these suggestions I would settle on a pair of smith and Wesson. 
Along with my various B&W's and other speakers, I had electrostatics for 25 years.  If you don't mind staying in one place, they are hard to equal on acoustic music, especially on violin.
Im not a fan monkey coffins: they are UGLY, especially when some sweet and sexy open baffle choices will do everything maggies can do (I had 3.5Rs). I tried biamping, bypassing the OEM passive XOs with an active XO, dual subs but they just didn't integrate to my liking.


Im a huge fan of Emerald Physics OBs (currently off the market, new version coming). My 3.4s have much more realistic bass, easier to drive, and don't look like 2 large doors dividing the room. That said I recently put my 2 subs back in which makes for an even bigger soundstage. Fantastic for large scale orchestras. Since these models are discontinued you can get the 3 series or 2 series for well under 3K

hth