Speaker sensitivity vs SQ


My first thread at AG.

Millercarbon continues to bleat on about the benefits of high sensitivity speakers in not requiring big amplifier watts.
After all, it's true big amplifiers cost big money.  If there were no other factors, he would of course be quite right.

So there must be other factors.  Why don't all speaker manufacturers build exclusively high sensitivity speakers?
In a simple world it ought to be a no-brainer for them to maximise their sales revenue by appealing to a wider market.

But many don't.  And in their specs most are prepared to over-estimate the sensitivity of their speakers, by up to 3-4dB in many cases, in order to encourage purchasers.  Why do they do it?

There must be a problem.  The one that comes to mind is sound quality.  It may be that high sensitivity speakers have inherently poorer sound quality than low sensitivity speakers.  It may be they are more difficult to engineer for high SQ.  There may be aspects of SQ they don't do well.

So what is it please?

128x128clearthinker
Pa speakers are much more sensitive than hifi speakers, but produce more ditstortion and do not have the same frequency range. To compensate they require active filtering and subwoofers. Making a sensitive speaker isn't that complicated: a woofer with a stiffer suspension (= less lower frequency) and a compression horn tweeter (= more distortion). A pa speaker with the sensitivity of an average  hifi speaker would require a truck full of amplifiers to achieve the same decibels. That's why in sound reinforcement only the max db level of a speaker is most  important. for each 3 db more, the amplifier power has to be doubled!
@larryi,

You may wanna add Tannoy Canterbury Prestige GR speaker to your list of speakers that has exemplified themselves in achieving excellent tonal balance from a single driver.

The Canterbury’s sports a 15-inch dual concentric single chassis driver that incorporates two separate drive units, integrated into one. If you like, you can further read about the merits of dual concentric driver on Tannoy website. Here I wanted to express briefly, the frequency response from 15” driver is pretty flat throughout the entire audible frequency range. The Canterbury’s are excellent speakers capable of delivering very detailed, integrated, dynamic and warm sound. I also dig their traditional look with exquisite birch plywood cabinetry and champagne gold metalwork :-)
@tomic601 asked:  

"are you 3D printing the waveguide?"  

No. I looked into it and concluded that was impractical. The piece is 22" in diameter.

Duke
Aside from your personal likes dislikes in speakers the main advantage of Highly efficient speakers (> 95 dB  with 1 watt at 1 meter) is the greater dynamics that can be achieved.  Doubling the power of your amplifier will only give you a 3Db gain in SPL.  Lets take a look at the power requirements for a couple of speakers,  Setting the max SPL at 116 Db. the B&W 603 S2 is rated at 88.5 DB @ 1 watt input.  To produce 116 Db you will need a 1Kw amp.  My old Altec A7-500's are rated at 103 Db at 1 watt and can Produce 116 dB with a little over 16 watts.  To my ear this is why some speakers sound muted/sluggish on rim shots and other sounds that require fast response.
disclaimer the math is approximant but close. My personal system uses a set of speakers that are rated at 84dB at 1 watt and my power amp is rated at 1Kw RMS and tests to 1.1 Kw/channel both channels operating..   I can only say that switching from a MC2100 to the larger amp was like cleaning a dirty windshild and bass is tight as a drum pun intended.
I have yet to hear the OB speakers Danny Richie offers in his various GR Research kits, but they are pretty darn sensitive (mid-to-high 90's) and are reportedly very transparent, natural at timbre reproduction, and dynamic as well. As soon as social interaction is again possible, I plan on inviting myself over to the Portland home of the Audiogoner who owns the NX-Otica (I think), which he pairs with the Rythmik/GRR OB/Dipole Sub, which I too built.