Thanks audio2design,
It is nice to get a more detailled analysis. As I said this problem might not occur today. It was more thought as an example because at that period people that 16 bit is perfect. It could be there is still more we do not know today even we have 24bit.
My digital side ist reasonable modern and cost around 3500 Euro; my analog side is double as expensive. Listenimg to the latest CDs of known HighFidelity manufacturer I feel there are lots of dynamic, details, name it. I love it, but after a few songs it still does not touch me. My analog records are ordinary, most of them, some bought new, some came as gift, some found on the flee market. Cheap recording sound defenitely cheap. But most records, even still not in the HiFi league of the best CDs, catch my interest in a way digital does not.
Again I believe everything is right with digital from a pure mathematical point, but why than it is still wrong for some? It must not be in the many calculatons, it must be what goes in the calculatens and what changes between calculations over time. There is a difference even the difference is only perceived by some unlucky people like me.
Additional there is that filtering thing which does or had once the effect of preringing of 16 bit CDs. It might be a thing of the past as 96KHz does shift things to a frequence area where it should not be perceivable. Or is it not? We know so much about matahmatics, but so less about our hearing. But what worries me is that people invented the CD format knowing of that problem, which is an uncertainty, as knowbody can be sure how listener reacts on an complete unnatural behavior. All we end up is that we know a lot but still not all.
It is nice to get a more detailled analysis. As I said this problem might not occur today. It was more thought as an example because at that period people that 16 bit is perfect. It could be there is still more we do not know today even we have 24bit.
My digital side ist reasonable modern and cost around 3500 Euro; my analog side is double as expensive. Listenimg to the latest CDs of known HighFidelity manufacturer I feel there are lots of dynamic, details, name it. I love it, but after a few songs it still does not touch me. My analog records are ordinary, most of them, some bought new, some came as gift, some found on the flee market. Cheap recording sound defenitely cheap. But most records, even still not in the HiFi league of the best CDs, catch my interest in a way digital does not.
Again I believe everything is right with digital from a pure mathematical point, but why than it is still wrong for some? It must not be in the many calculatons, it must be what goes in the calculatens and what changes between calculations over time. There is a difference even the difference is only perceived by some unlucky people like me.
Additional there is that filtering thing which does or had once the effect of preringing of 16 bit CDs. It might be a thing of the past as 96KHz does shift things to a frequence area where it should not be perceivable. Or is it not? We know so much about matahmatics, but so less about our hearing. But what worries me is that people invented the CD format knowing of that problem, which is an uncertainty, as knowbody can be sure how listener reacts on an complete unnatural behavior. All we end up is that we know a lot but still not all.